Oleg Mavromatti

Jim Finn, follows a South Korean video artist in North Korea who hopes to revitalize Juche cinema, somewhat inspired by a true story of a South Korean filmmaker kidnapped in the 70s to make the North Korean film industry better. This experimental satire that examines what happens when a South Korean filmmaker sojourns into communist North Korea to breathe new life into that country's flagging, propaganda-driven movie industry. Believing that cinema can prop up North Korea's Juche Idea of self-reliance, mad dictator Kim Jong-Il pulls out all the stops to help the young émigré produce appropriate films.

A manic insane doctor escapes over the hospital wall and spends most of the movie either ranting and weeping in a hospital or running, babbling about his true love Olga or his surgery practice. Men are obsessed with their frantic careers and various preoccupations, discussing their medical procedures or playing with machines in frantic montages, many men are naked, discussing nudity, vomiting and comparing penises while the women are clothed, a man pulls plums from a woman and squashes them as some obscure symbolic act, there are religious rants, a female Jesus giving food to naked men on the last supper table only to have them vomit, hair is seen as the link to God with women puking hair from their mouths in more insane symbolic scenes, and finally, a bizarre scene of a naked man dancing in pantyhose with a clown.

Two Russian prisoners are abused mentally and physically.

Yaroslav Oktiabrev is a simple guy who works as a freelancer. But then fate presents him with a gift — it is necessary to consult online a former military man with the call sign "Brother", so that he takes old documents from an abandoned building, and you can forget about money problems in life. However, the military turns out to be an uncontrollable schizophrenic, and only a former colleague, crazy blogger Gennady Gorin, knows how to settle him down. On top of that, the customer begins to threaten Yaroslav with violence if he does not have time to do everything in a couple of hours. A seemingly trivial task suddenly turns into a real disaster, because of which the Person is already at risk of losing not only his job, but also his own life.

Seen through the eyes of Rebecca Gibbs, a young abuse victim, I DON'T WANNA FEEL NOTHIN' NO MORE is an intense drama that chronicles three generations of incest among the women in one family as they struggle to maintain their strength and dignity against almost overwhelming odds.

This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.