Gonzalo Delgado

Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.

A movie-theater employee adjusts to a new life as the cinema he's worked at for over 25 years faces closure.

Miguel Ángel García Mazziotti, a Río de la Plata's decadent showbiz gay figure, receives the visit of his daughter Virginia, of whom he has been distanced for years. "The Fat", as everybody calls him in Punta del Este, openly rejects her visit, but when realizes will become a grandfather he can't help getting thrilled and celebrate Virginia's happiness. As a result they share a real familiar weekend that, as many families, to be happy it has to be fake.

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.

A melancholic, aspiring writer and bookseller is shaken by the appearances and disappearances of his newfound muse who steals books from his bookstore. When he discovers that she also steals from other bookstores, he is consumed with jealousy and starts living in a kind of love delirium, on the border between fiction and reality. The closer he gets to her, the more indescribable she becomes and he begins to wonder why she steals, what are her values and who is the older man she lives with. In the end, what is real and what isn’t? And will he find a place in her life as he moves away from his own?