Hsia Meng

Tragedy strikes two pairs of lovers and a family, just three days after a happy marriage.

Yang Mengchi is a spoiled, rich do-nothing whose habit of smoking opium has cost him his entire fortune and the family mansion, the Garden of Repose, now due to be sold to Yao Guodong. Fearing that Yao's spoiled and unruly son Siaofu will follow in Yang's footsteps, Yao's stepwife Wan Zhaohua tries to instil discipline in the child but her efforts are undermined by the child's indulging and protective father and grandmother. Unable to reform himself despite his own son's chastisement, Yang leaves home to lead a reclusive life in a destitute temple, only helped out by his filial daughter Han'er. The poverty-stricken Yang is drafted into the army and tragedy ensues.

This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.

My Darling Princess

After her husband's death in a car accident, Fang must endure the fury of her mother-in-law.

Tung Hsiaowen

Zhang Mingyang and Ding Huilan are newlyweds and very much in love. Yang's old lover, Wang Baozhu, pays a surprise visit and asks Yang to help her find her long-lost husband. In order to avoid the same mistake of his father-in-law being pestered by his jealous mother-in-law, Yang has to claim that Zhu is the mistress of his colleague, which causes the wives to be suspicious. After Lan learns the truth, she helps Zhu find her husband and exposes Yang's lies ......

A woman in a loveless marriage is visited by her former lover. In this version, her husband is a miserly doctor who wants the lover, Qin, to help him get a hospital post. Qin’s presence in the household rekindles the old romance and the couple hover on the edge of adultery.

三看御妹劉金定

Sunrise

Rendezvous

Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)