Mark Payton

Sir Anthony Blunt, who was a Soviet agent for 25 years, is routinely questioned and gives no answers, but is knighted and works as Director of the Courtauld Institute, and presents his interrogator with a puzzle in the shape of a doubtful Titian painting. He also does art restoration work in Buckingham Palace, where he gets into an interesting conversation with HMQ.

After his lover rejects him, Maurice, a young man in early 20th-century England, trapped by the oppressiveness of Edwardian society, tries to come to terms with and accept his sexuality.

A British Company in the WWI trenches await an inevitable German attack in this 1988 adaptation of R.C. Sherriff's play.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

The soldier in the spinal carriage can neither move nor speak. Who is he? His fellow wounded and officers are intent on finding out.