Blanka Lormanová

A story about an everyday life of an inflectional department of Prague hospital.

Although shot simultaneously with the first part, director Vít Olmer's sequel to the story of three businesswomen dealing in erotic services stands on its own. The film abandons a majority of the topics important to the original and focuses instead on a new plot and characters: the erotic club's new owner introduces an element of crime by blackmailing her customers.

The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

Heřmánková víla

Zlatá svatba

In the final days of the Second World War in 1945 Frantisek Pribyl is killed during a shoot-out with the Germans. After the funeral, the widow (Jana Svandová) and her two young sons Martin and Ondra move to her deceased husband's native village at the foot of the Kralický Snezník mountains. Life in the borderlands is far from easy for the lonely woman. The village is almost deserted, food supplies are delayed; the Werwolf (Nazi guerrilla squads) are hiding in the mountains, and shooting is heard from time to time. The elder son Ondra (Michal Dlouhý) is helping out his mother and at the same time absorbing intense new experiences. He meets an old Czech resident Skurek (Lubomír Kostelka), German women working in the forest, soldiers from the engineering units removing the mines, and a young first lieutenant. At night he dreams about his dead father whom he loved very much. This is why he runs away from home when he finds out that the lieutenant is courting his mother.

Svědek

When he returns to Prague from a stint in the Army, Lada does not seem to fit in anywhere, and he cannot get the hang of the system of deliberately underperforming on the job. His girlfriend tries to keep him in the city with a variety of stratagems, but he eventually takes a job as a truck driver on a dam-building project. He uses the truck to visit his girl on weekends. Ingenuous, he is unaware that the truck is being used for black-market smuggling, and that his girlfriend two-times on him when he cannot arrange to leave on time for his weekend.

Přes padací mosty

Discopríbeh 2

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.

Kamarád do deště

Little kids, little worries, big kids, big worries, sighs many a parent often. This is no different for the mother of eighteen-year-old Frantisek, who has just graduated from high school without much glory and is about to start his first job. Fandy is still full of boyish dreams, yearns for a career as a rowing representative, competes with a friend for the favor of an admiring girl and is generally stubbornly opposed to taking life seriously.

Jak Vojtěch pro princeznu do ohně skočil

This movie is based on texts of Bohumil Hrabal, world-known Czech prosaic. It's a story (in a form of a mosaic of short episodes and pictures) about the sadness and happiness of inhabitants of Kersko (Kersko is a small woody area full of cottages and roods). These people are both simple and sensitive, they have their own pleasures (e.g. Leli is a collector of cheap, but inutile things) and the greatest delight of all of them is a hunting. Crude poetics of amateur hunting is screened by dreamy pictures of this area. Menzel mixes sentimental lyricism and rough (but not vulgar!) humor and the outcome is the never-ending landscape of continuous life in the proximate nearness of nature. The performances of actors are brilliant. Both Rudolf Hrusinsky as a Franz and Jaromír Hanzlik as a Leli have nonrecurring charm bottomed on a pain and inebriation. Only the music is not perfect: Jiri Sust usually assembled his film music from his older works and in this movie there is many quotations.

Bakaláři