Orlando Parolini

Follows the relationship between two couples: An unemployed professor, Fernando, sustained by his factory worker girlfriend Rita, and sexist and reactionary Luís Carlos and inexperient Lilita.

As filmmaker Jairo Ferreira shoots his life and friends in Super 8mm he also becomes the vampire of the Cinemateca Brasileira in São Paulo. In O VAMPIRO DA CINEMATECA Ferreira develops a poetic representation of his idea of “inventive cinema” without a plot in the classical sense. Ferreira mixes situations of everyday life in the streets of São Paulo with scenes from classics of film history, which he filmed from television or from a projection with his Super 8 camera. The author as a vampire sucks from various sources – not only in cinema, but also in poetry and music – and creates a portrait of his time.

One of the first Brazilian movies to conjecture about contraculture and its reflexes on the behaviour of a generation. A tribute to the late poet and friend Orlando Parolini.

Sandra is a rich widow who wants to know the beach house her late husband has left her. She goes there with her lover Odilon, an unscrupulous young man whose studies she's supporting. Helping her with the red tape is dr. Carvalho, a very conservative and old-fashioned lawyer. In her way to the house, she meets a couple of hippies, looking for a place to stay. She hires them as temporary housekeepers.

Transposition of the myth of Faust to modern Brazil. The heir to a bankrupt cigarette factory, amidst a personal crisis, leaves everything behind and heads for a supposed paradise he has seen in a tourist agency, where he believes he could find self-knowledge. In his search, he is inspired by a Mephisto-like character.

Doralice is a simple minded woman romantically fascinated by marriage. However, when she is raped by a butcher, a friend advises her to become a prostitute - and she does it. After that, all her wishes and longings will curl up into a fascinating vortex.