Lai Siu-Fong

The film revolves around the exploits of a detective agency in Hong Kong called Mannix Private Detective Agency. It is headed by private detective Wong Yeuk Sze (Michael Hui) with his emotionally drained assistant Puffy (Ricky Hui). Meanwhile, Lee Kwok Kit (Samuel Hui), a kung fu expert, who works at a Vitasoy plant factory and spends most of the time doing kung fu tricks to impress a girl, ultimately loses his job. Seeking to find another line of work, Lee attempts to joins Wong's detective agency. Despite Lee's impression with his kung fu talent which involves his snatching trick, Wong was not impressed. Then, as it appears that Lee would not get the job, Wong discovers that his wallet was missing and was presumed stolen by one bystander who bumped into them. Lee intercepts him and recovers the wallet, thus impressed Wong to hire him for the job.

The poetry of teenagers in love is one of the most endearing and enduring traditions in cinema. Philip Chan made his solo directorial debut with a film based on his own adolescent fantasy, about a secondary school student who falls in love with his teacher. The teacher happens to be pregnant and, after the kid makes the vow to help her take care of the child, the father reappears to assume his responsibilities…Is teenage bubble going to burst? Chan had the foresight – or was it luck? – to hand over writing chores to Alfred Cheung, who turned the potentially controversial story into a script of nuanced emotions and morality while managing to avoid the sensational. Charlie's Bubble, which escaped critical attention in its initial release, is a work that deserves a second look.

A real murder case which was complicated by the ménage à trois relationship the victim had with the main suspects. As different witnesses narrated their conflicting stories, the case seemed set to lead to nowhere; especially when the real identity of the dead person was finally discovered.