Siu Gam

Li (Sam Hui) works at a sanitarium as a male nurse, and Ah Tim (Michael Hui) is a handy man. One day, a bearded old man is sent into the sanitarium with a large bag. Ah Tim manages to steal the bag, and finds antique fragments inside. When the old man dies, the pair learn from his daughter that there is a sunken vessel that is loaded with much more than they already have, so they decide to go after the sunken treasure.

The Japanese ninja secretly invade China in the time of the Ming Dynasty.

A shipment of gold, collected as charity, is high-jacked in transit. Two con-men witness the robbery, and become wrongly accused as the robbers. At first they compete to capture each other for the rewards on their heads; but eventually work together to find the gold and expose the real bandits. However, the bandit chief isn't giving up so easily....

The film is about Fen, who hangs out with four total losers who are in "Macho Man" tank tops and what happens. Ching Li plays Selina, who is a commercial director who hires him.

Given a jar of sweets by a beautiful air-hostess, Chan finds that each one contains a diamond (diamonds belonging to a ruthless smuggling gang). Chan finds out the hard way that when there’s no place to hide and nowhere left to run, a fight to the finish is the only way out!

After retreating from battle, a band of Mongolian soldiers take refuge in a cemetery where they are slaughtered by reanimated zombies from the netherworld. But the leader is possessed by the Devil and he levels an assault against a nearby Chinese village. Local monks cover themselves with writings from the sacred scriptures in an attempt to stop the marauding warlord and his ddemon army.

Love knows no limits in the grand period romance, Lady Jade Locket. A young fighter inadvertently falls for the spirit of a beautiful woman, who died years earlier avenging her own father's murder. The beautiful ghost is in fact the sister of his fiancee. Experienced as an actor in many such romances, director Yen Chuan keeps the tone perfect. Plus, with period specialist Li Li-hua in the lead and the attractive and acclaimed Li Ching playing the ghost girl, he really can do no wrong.

Li Ching is the Seventh Sister, an angel who comes down from heaven to see what life in Hong Kong is like. In Hong Kong, she runs into Zili(Chin Feng), a reincarnated version of her deceased lover, Dong Yong. Zili, with help from cook Uncle Bull(the warm, portly Peng Peng), do their best to watch over homeless kids in an run-down orphanage. However, a heartless tycoon named Xu Caifa wants the land where the orphanage is and he's willing to go to extremes to get it. Armed with omnipotent powers, spirit, and help from her "celestial sisters", Seventh Sister works to defend Zili, Uncle Bull, and the orphans from Xu Caifa.

The Magic Cup (Part One and Concluding Episode) Having lost her mother, young girl Bobo (Fung Bo-bo) lives with her honest but incapable father until her stepmother and a wizard conspires to kill her. While escaping, she picks up a magic cup. With the help of the powerful genie in the cup, Bobo embarks on a fantastic adventure featuring giants, magic and treasures. The composited special effects in the film are fascinating: the horizontal ancient well, the giant hand controlled by electricity, the grand palace and the incredible mountain ranges embellish an Aladdin-like story. After its first run in cinemas, this film enjoyed popular second runs, matinees and numerous screenings on television, entertaining many generations of Hongkongers.

Cheung Yan-lai is imprisoned as he is framed by his elder brother Yan-tsuen. Yan-lai escapes and takes revenge with a quasi-scientific sorcerer, who uses orangutan blood to turn the Yellow Hair Monster into an unparalleled weapon when it drinks human blood. Yan-lai, the Yellow Hair Monster, and the sorcerer, go to confront Yan-tsuen after knowing he will donate a gold Buddha for fund-raising. They are caught in a warehouse. A female ghost kills Yan-tsuen. Heroine Wong Ngang and the Director rush there. They fought with the sorcerer, who dissolves a corpse using a poisonous solvent. It also kills the Monster. Yan-lai gets an electric shock and the sorcerer is scared to death by a vampire. Mother Lo, Yan-tsuen's maid, disguised as the ghost and the vampire. The gold Buddha belonged to her father, who was killed by Yan-tsuen. Yan-tsuen raped her. She sought revenge, takes back the Buddha, and killed Yan-tsuen's wife. Wong Ngang gets the Buddha. She, Wu Ah, and Heung Ngan are satisfied.

Rejected by Law (Sheung-kwun Kwan-wai), ruffian Koo (Wong Yee) exacts his vengeance by making Law lose her job. When her father is injured at work, her brother Fai and boyfriend Tse resort to obtaining a loan. Koo even kills their creditor and frames the murder on Tse. Law and her brother sow discord between Koo and his mistress, eventually exposing their crime and leading to Tse's acquittal. While retaining her feminie elegance and charm in subtle details, Law resourcefully eliminates all the threats and dangers. Unlike other conventional detective dramas of Cantonese films, this film is filled with a sense of community and grassroot sensibility. Sheung-kwun Kwan-wai impressively demonstrates a great flexibility and versatility in her characterisation and performance of this female detective role.

The Talking Bird (能言鳥) is a 1959 Hong Kong musical fantasy film directed by Bong Luk. The film was produced by Shaw Brothers and is based on the screenplay by Tin Chi Ng.

Chu Liuxiang is having drinks with his friend, Monk Wuhua. Gong Nanyan of the Holy Water Palace suddenly appears and accuses Chu of having stolen the palace's Heaven's One Holy Water and committed a series of murders. She agrees to give Chu a month's time to clear his name, or else the mistress of the palace will kill him. Chu's curiosity and eagerness to prove his innocence spur him to investigate the case.