Therese Damsgaard

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

Bertram’s uncle, a petty criminal, hurls him and the whole family into the kidnapping of a rich man’s son to get money for a new flat after they’ve been kicked out by the bailiff. But things don’t go quite as planned. The film is an action-packed gangster comedy for the whole family, a kind of “Ocean’s Eleven” for children and the young at heart.

A family of four is quarantined in their home as a virulent strand of the flu spreads into town and they are forced to the extreme to escape alive.

Munch-Fals’ script follows Adam, who has so far been spoiled by life – a good job, a lovely wife, an expensive villa, an independent son – but still it isn’t good enough. Even the swinger weekend trips he has been taking with his wife have become a joyless routine, and his youthful optimism and appetite for life are distant memories. Then, one day, at another swingers’ club, he does what swingers don’t do – he falls in love.

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Bare Holger

Court drama about a Copenhagen law office and the cases and personal entanglements of its small group of attorneys.