Joska Versari

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

Marco, a nine year old boy, is in love with his elementary teacher, and feels neglected by his workaholic parents. When they forget about his birthday he wishes he could grow up at once. This really happens and Marco begins a new life as an adult. He rents a room in his teacher's flat and she falls in love with him. He even fakes a kidnapping when he runs out of money but he is mistaken for the kidnapper.

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Two penniless cousins have a common passion: to be inventors, but they never managed to make money out of their patents. Their only hope is represented by their hateful and rich uncle.