Gower Champion

Three broke Broadway producers are desperately looking for backers for a new show. When they are about to give up, one of them discovers that they are an heir to a Parisian dress salon. Off to Paris they go!

A dashing Mississippi river gambler wins the affections of the daughter of the owner of the Show Boat.

A golf-crazy songwriter tries to avoid the long, solitary hours of concentration needed to produce a hit musical. His producer and his secretary conspire to get him back on track.

Rome is on the verge of being conquered by Hannibal. While Rome's ruler, Fabius Maximus, plots a defense against Hannibal's armies, Fabius' fiancée, Amytis, is curious about the fearless conqueror. Amytis travels to Hannibal's camp just to get a look at him, but she ends up being captured. However, she is instantly smitten by the Carthaginian commander, so she tries to shift his attentions away from Rome -- and to her instead.

When the temperamental star of a new Broadway musical revue in rehearsals walks out, director and choreographer Ted Sturgis suggests casting an unknown for the role. When it is announced in the newspapers, throngs of hopefuls show up. The revue's musical composer, Leo Belney, champions ballerina Joanna Moss, while gofer Bob Dowdy is enchanted by novice Suzy Doolittle. Then producer Felix Jordan persuades Ted's former dance partner, Madelyn Corlan, to come out of retirement to try out, much to Ted's great discomfort.

A husband and wife act are hoping to find success on Broadway.

Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of his most famous: 'Showboat'.

Making-of documentary about the 1933 musical, 42nd Street.

This musical reworking of Too Many Husbands (1940), features Grable as a top singer and dancer who's been widowed by WW II. She marries her late husband's songwriting partner, Gower Champion, but the new marriage is thrown for a loop when Lemmon, her first husband, turns up very much alive and eager to see Grable.

Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner.

Fictionalized biography of George Gershwin and his fight to bring serious music to Broadway.

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.

The Merv Griffin Show is an American television talk show, starring Merv Griffin. The series ran from October 1, 1962 to March 29, 1963 on NBC, September 20, 1965 to August 15, 1969 in first-run syndication, from August 18, 1969 to February 11, 1972 at 11:30 PM ET weeknights on CBS and again in first-run syndication from February 14, 1972 to September 5, 1986.

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

The Admiral Broadway Revue is an American variety show that ran from January 28 to June 3, 1949. The show was broadcast live on Fridays, 8-9 pm Eastern Time. and was broadcast simultaneously on both NBC and the DuMont networks.

The Antoinette Perry Award for Excellence in Theatre, more commonly known as a Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre.

The Antoinette Perry Award for Excellence in Theatre, more commonly known as a Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre.

“The Bell Telephone Hour” was a musical variety show that aired on “NBC” TV from 12 January 1959 to 14 June 1968 that showcased the best in Broadway, Classical, Concert, Jazz and Popular music each week. The series had its’ own house band appropriately named the “Bell Telephone Orchestra”. The show also had its’ own theme song being the “Bell Waltz” composed by “Donald Voorhees” who was also the show's Orchestra conductor. Some of the greatest violinists of the 1960’s performed on this show that aired in the old “Black & White” format. Some of these great violinists included “Erica Mornin”, “Isaac Stern", "Michael Rabin", "Ruggiero Ricci", "Yehudi Menuhin" and "Zino Francesacatti". From time to time some of the great singers and bandleaders of the 1960’s would perform on the show as well. Some of these were “Bing Crosby”, “Gordon MacRae”, “John Gary”, “Leslie Uggams”, “Mary Martin”, “Nelson Eddy”, “Patti Page” and “Roy Rogers”. The TV show followed on the heels of its’ predecessor with the same name on “NBC” radio that aired from 29 April 1940 to 1958 on Monday nights at 8 PM. The name of the show was derived from its’ Major sponsor “Bell Telephone Laboratories”. The TV version began airing on Friday nights at 8:30 PM once a month. It later was given it’s same time slot now airing every other week alternating with another show on the other weeks such as News shows and specials. The show time slot changed quite often over the years. In September 1960 it aired at 9 PM and in September 1961 it moved to 9:30 PM. In October 1963 it moved to Tuesday nights at 10 PM, September 1965 it moved to Sunday night at 6:30 PM and in September 1967 it made its' final move back to Friday night at 10 PM.

Four panelists must determine guests' occupations - and, in the case of famous guests, while blindfolded, their identity - by asking only "yes" or "no" questions.