David Masajnik

In the small village where Amadeo lives there is no one good enough to challenge his skills at Table Football. But, while Amadeo may be a genius as a table football player in real life he's a loser. He's in love with Lara, his childhood friend, but he's so shy that he can't bring himself to confess his love for her. So he just hangs out in his quaint, timeless village. When Amadeo beats the village bully Flash at Table Football. The scene is set for an epic rivalry. Consumed with anger Flash vows to get even and 10 years later he returns as an International Superstar, a Football Icon and Galatico determined to wreak his revenge.

At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time with their daughter and he has yet to make a commitment to his girlfriend. At his lowest point, a minor heart attack reunites him with Juan Carlos, a childhood friend, who helps Rafael to reconstruct his past.

A biopic based on the life of one of the pioneer argentine rock stars 'Tanguito'. The movie tells the story of his rise and fall from grace, encompassed in violent times of a military regime.

Film composed of nine short films. Short Stories 0, was released in 1993 and did not yet have that name because they were separate shorts. It would later become the prestigious annual short film competition for directors organized and produced by INCAA.

A group of soldiers who naively went to fight in the Malvinas War are forgotten in those desolate lands after a month after the conflict with England ended.

La pluma del ángel

Three interconnected stories explore the complicated relationships of young, attractive Argentinian adults searching for true love

A woman and a man known through a radio program dedicated to unite in their lone pairs listeners.

The first bioart narrative film. A transposition of War of the worlds in which the visuals are achieved by cultivating bacteria to follow certain patterns on petri dishes in a chemical oven. The narration evokes radio plays.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the 'Vecinos de Pompeya', a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

The film follows different stages in the life of Sofía, a young girl born in Argentina of Chinese descent. From her childhood to her adulthood, she's conflicted by the clash and fusion of both her cultures, all while facing a strenuous relationship with her mother Jia, who places concerns and demands on her.

A minor distraction by a public official results in the death penalty for someone convicted of a minor crime.

The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.

A documentary that tells the story of one of the most successful Argentine films of the ‘90s: Wild Tango. With a controversy that few people know about and several detractors, the undeniable fact is that it was the first approach to cinema and local rock for an entire generation.

The series focuses about orphans living in a manor, known as Rincón de Luz, where they're guided by a young woman that represents a maternal figure for them.

Young psychologist Martín Mondragón is contacted by a mysterious man named José Sagasti, who tries to collect an old debt that Martin's grandfather left when he died. Rivera, being the first male descendant, is the most suited guarantor to pay off the debt, which consists in giving his soul to the devil by dropping a bit of blood from an old parchment.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

Tiempo final

Culpables

Durmiendo con mi jefe

Hombres de honor was a 2005 Argentine telenovela, produced by Pol-Ka and aired by El Trece. It was starred by Laura Novoa and Gabriel Corrado.