Sheila Scott-Wilkenson

Peter Nichols adapted his own hit play to the screen, based on his experiences in hospitals. A riotous black comedy that's as timely today as ever, it contrasts the appalling conditions in a overcrowded London hospital with a soap opera playing on the televisions there. In an ingenious touch, the same actors appear in the "real" story as well as the "TV" one, thus blurring the distinctions even further. Jack Gould directs such outstanding British actors as Lynn Redgrave, Colin Blakely, Eleanor Bron, Jim Dale, Donald Sinden, Mervyn Johns, and, in only his second film, Bob Hoskins. The renowned Carl Davis composed the score.

A British-born younger son of an immigrant family from Trinidad finds himself adrift between two cultures.

A paranoid schizophrenic woman finds treatment to her mental illness after 18 years of suffering.

Laurie is 15 and she thinks she's pregnant. Her boyfriend doesn't care. Her mother doesn't know. Why did it happen? And whom can she turn to?

Unity Field, a "free love" cult from the '70s, is mostly remembered for its notorious mass suicide led by Harris, its charismatic leader. While all members are supposed to burn in a fire together, young Cynthia is spared by chance. Years later, the nightmare of Unity Field remains buried in her mind. But when those around Cynthia start killing themselves, and she begins having visions of Harris, she may be forced to confront the past -- before it confronts her.

The Byrds are a young couple both working as reporters but for different newspapers. When Mike invents the story of how they had the idea to make a baby his wife at first becomes furious about his article but then she adapts to it and starts to write the story from her side in the other newspaper. Making the articles reality they are now expecting their first child...

A liberal white Southern man and a black woman from Harlem, a once happily married couple, are suffering through the first days of their separation. Will the couple separate for good or is there hope for reconciliation?

Charles Russell dies, but since he is too good for hell and too bad for heaven, he is given the opportunity to go back to 1987 to assist his younger self, Chazz, in making better decisions at critical junctures in his life in order to (hopefully) get into heaven. As of December 1987, the show was revamped and retitled Boys Will Be Boys. The entire fantasy element of the series was dropped, along with Charles and St. Peter.

The story about a blue-collar Boston bar run by former sports star Sam Malone and the quirky and wonderful people who worked and drank there.

The domestic adventures, misdeeds and everyday interactions of five families living on a cul-de-sac in a small California community.