Isabel Sandoval

Donna, a transgender sex worker in Manila, moves back to her small hometown in search of a new life. Once there, she reunites with her child, who knows her as his aunt, and becomes caught up in the intrigues surrounding a critical local election, working to unseat the corrupt mayor.

Olivia, an undocumented Filipina immigrant paranoid about deportation works as a caregiver to a Russian-Jewish grandmother in Brighton Beach, Brooklyn, NY. When the man she’s secretly paying for a green card marriage backs out, she becomes involved with a slaughterhouse worker who is unaware that she’s a trans woman.

It’s California, during the Great Depression. A woman is confiding her most intimate thoughts in a church confessional, while the man on the other side listens silently and intently. But this is no ordinary religious ritual seeking salvation. The woman — a second generation Filipino farmhand — is rapt in roleplay reverie, her sensuous words aimed at her white American lover, during a historic period when such interracial relationships were forbidden by state law. The confession box transforms into a romantic time machine, ecstatic and melancholic, traveling into alternate futures. She manifests as multiple, dazzling women, and they can love freely. This is the 21st commission from Miu Miu Women's Tales​ series.

In search of her unique voice, an aspiring actress infiltrates cinema history. As she traverses time, space, and gender, she shape-shifts through Hollywood’s most iconic roles, reimagining cinematic archetypes for today.

Laura, a transgender woman, is a reformed sex worker living a quiet life in the country. But she can't seem to shake off the lure of the big city. A consummate actress, she manages leads a double life but as her lies begin to unravel, will she be able to keep her two worlds separate?

In 1983, French actress Maria Schneider gives an interview for the TV show Cinéma Cinémas. The conversation takes an unexpected turn when she challenges film industry practices and is asked to talk about the controversial film Last Tango in Paris (1972).

A couple stop at a motel in an unfamiliar territory. An unreliable memory reveals the irrelevance of identity.

Philippines, 1570, the early years of the Spanish colonial regime. Marta, a Native Priestess, convinces her Spanish master that she is possessed by the spirit of his dead bride, in order to manipulate him into returning the farmland that the Spaniards seized from the native community.

Set in 1970s Manila, the film follows a jaded female police detective, who unbeknownst to her colleagues is the mastermind behind a successful heist, but who is paired up with an obsessively truth-seeking detective partner to crack the very crime that she orchestrated.