Mae Giraci

In 17th-century England, an outlaw clan kidnaps a young girl, who grows up among them. The farm boy who met her just before the kidnapping eventually rescues her, and they fall in love.

Tarzan's son Jack is kidnapped from England by his old enemy Paulovich. Jack escapes into the African jungle where he meets Meriem, a European girl held captive. Freeing her, he falls in love but she's sought by Paulovich. Then Tarzan arrives with Jane to save the day!

A Russian peasant girl rises to fame as an operatic diva. She becomes beloved of a Russian prince. When the 1917 revolution overthrows the czar's government, the pair attempts to cross the icy steppes and find their way to America.

George Beban plays feisty Italian immigrant Luigi Riccardo, the eternal thorn in the side of New York political boss Regan (H.B. Carpenter). Fed up with Riccardo's interference in his graft-grabbing, Regan pulls a few strings and arranges for Riccardo and his family to be shipped back to Europe. But our hero's cause is championed by muckraking newspaper reporter Bump Rundle (Raymond Hatton), who takes on and exposes the Regan political machine.

Lilly Meany has grown up amongst charlatans, including her father. She decides to become a faith healer, and her first victim, a rich hypochondriac woman, is easy enough to "cure." In fact, the woman's so happy with Lilly, now calling herself Vashti Dethic, that she recommends her to her nephew, Judah, Lord Asgarby, who has a crippled sister, Eve. The little girl gives Lilly so much innocent trust and love that she actually is able to walk for the first time ever.

Lola Montrose ignores the scorn of society to live with Dr. John Hampton, the man she loves. After tiring of his mistress, Hampton tells Lola that he is planning to marry a "good woman" who will exert the proper influence over his son Irwin. Begging Hampton to marry her, Lola confesses that she too has a son, who is being reared in a religious institution for homeless children, but Hampton insists that he must not darken his son's future. Thirsting for revenge, Lola determines to marry Irwin. After inebriating the youth, Lola takes Irwin to the minister, who refuses to perform the ceremony. Too drunk to realize that there has been no wedding, Irwin takes Lola home and introduces her as his wife.

Lois Wilson (as Lulu) is the spinsterish member of the Deacon family: "The family beast of burden, whose timid soul has failed to break the bonds of family servitude." Her brother-in-law is patriarchal Theodore Roberts (as Dwight Deacon); running the house with an iron fist, he is both a dentist and a Justice of the Peace. As the latter, he accidentally marries Ms. Wilson to his visiting brother Clarence Burton (as Ninian Deacon) while they are out for dinner. Schoolteacher Milton Sills (as Neil Cornish) is also interested in Wilson...

Steve Packard is the ne'er-do-well son of an Arizona ranching baron. Upon his father's death, Steve returns from his days as a South Pacific beach bum to protect his father's estate, which has fallen into the hands of Steve's estranged grandfather. The grandfather's foreman, Joe Blenham, attempts to wrest the ranch from Steve's rightful inheritance, whether the means are legal or not.

A traveling preacher has, through his faith, the power to heal, but loses it when he falls in love. Considered lost.

A young girl, Rose Eastmen lives with her lazy Uncle, who works as a janitor in a publishing house. Lacking education, both Rose and her Uncle are susceptible to the socialist ideas of writer Rudolph Creig. One day Rose encounters Jack Steven's the wealthy son of the publishing house, working on his car. She believes he is a common laborer, and begins seeing him. Through her exposure to Jack, Rose begins to realize the rich are not such an abominable people. Rudolph has also reached this conclusion after learning Steven's has published his book. Now with a hefty royalty check and success, Rudolph is able to marry Rose.

The circus comes to town, and the town's orphans are treated to a day at the circus. The circus troupe's 'Jinx' girl causes so many problems for the performers and performances that, to escape punishment, she has to run away. She mingles with the orphans and runs away to join an orphanage.

Yvonne von Krutz, a Belgian, lives with her German husband Karl, whom she was forced to marry, and her spirited little brother Jacques in a farmhouse on the Belgian countryside. With the German invasion of Belgium, Karl joins the German forces, and Jacques is taken to a reformatory to be trained as a munitions worker. When Karl is taken prisoner, Capt. Jefferson Strong, an American engineer, assumes the German's identity and discovers an underground supply of explosives near the von Krutz farm. By means of a tunnel, the Americans plan to mine the explosives. To save Jacques and a group of children from the munitions factory, however, Jefferson sends them across the American lines through the tunnel, but they lose their way, and he is forced to disable the mine. Jefferson is court-martialed, but King Albert of Belgium, who has befriended little Jacques, intercedes on his behalf. Learning that Karl has been killed, Jefferson pursues his budding romance with Yvonne.

Dr. Edward Meade and friend Richard Burton both love Sylvia Norcross. Both enlist in the military, but Meade stays back to care for deformed children. Sylvia thinks him a coward and marries Burton. After Burton is presumed dead, Meade and Sylvia are to wed, but Burton returns maimed and scarred.

A sequel to DW Griffith's The Birth of a Nation, by the same author, and now lost. It is considered the first film sequel ever made and recounts a fictional invasion of America by a united army from Europe.

In the film, Breamer’s character, Miriam Holt (“the girl who sees around corners”), proves her psychic powers by locating children who went missing during the war. Her childhood love Clyde Brunton (Conrad Nagel) is unhappily married to a social climber, but Miriam’s ability to commune with the spirits of the dead (“those we love are always with us”) finds a way to resolve the problem.

A 1917 film directed by Paul Powell.