Majel Coleman

Priscilla Dean starred in this comedy-Western as Eastern golf pro Freddy Hayden who is hired by a Western dude ranch. Assumed to be a man because of the name, Freddy creates a sensation appearing at a dance in the newest creation from Paris, and later incurs the ire of all when she accidentally causes a stampede. Ranch foreman Bruce Elwood (Arnold Gray) eventually wins the heart of the leading lady when he rescues Freddy from a villainous cattle rustler. A year after this light comedy, Dean began to wind down her career, and played a foil to Laurel and Hardy in Slipping Wives.

John Livingston is a rich mama's-boy, who owns a blooded dog named Paul. Paul meets Maggie Mutt, and Paul, being a pedigree canine and somewhat of a cad, lures trusting Maggie to the barn to have his way. He then departs for his palatial doghouse at the Livingston estate. Meanwhile Maggie is broken-hearted and also finds that she is in a "family way", and gives birth to a pup she names Hank. Maggie tells Hank to find his "human ", and departs the scene. Hank goes to the park, meets a "human" named Mary Kelly, who is a homeless waif and sweetheart of poverty, and the two adopt each other. Later on in the park Paul comes strolling along with his 'human', John. A child falls into the lake and Paul and Hank team up to save her.

Frequently cited as one of the first war films to feature the female angle, “Corporate Kate” is the story of a pair of Brooklyn manicurists who go to France during WWI to entertain the troops with a song-and-dance act. Both girls struggle not only with the brutalities of war but also with their love for the same man.

A pretty young cashier at a movie theater has a few problems--a local thug is interested in her and won't leave her alone, and she discovers that her uncle is stealing the box-office receipts.

John Brandon, an American millionaire, has been married seven times but never found love. Then, when he is in Paris, Mona de Briac comes into his life. Mona comes from an noble family who is facing ruin.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

Sheriff Pat Halahan comes into an inheritance and travels to San Francisco to collect. Faith O’Day, a cat burglar armed with pistol and flashlight breaks into his hotel room and demands that Halahan cough up his dough. Halahan sees her threat and raises her a one-dollar bet that he can return a brooch she stole earlier the same evening before its loss is discovered. Pulling off his boots to slip on his own “soft shoes,” Halahan sets off to do a little second-story work, not realizing the trouble he’s in for.

Sunny sings in the streets to obtain funds for a country outing. A theatre owner hears her and takes her up. During a fishing trip Sunny is about to accept the theatre owner's proposal of marriage when his estranged wife turns up...

Fox's immediate follow-up to its successful early-talkie western In Old Arizona was 1929's Romance of the Rio Grande. The story focuses on the Alvarez family of Mexico, specifically fabulously wealthy Don Fernando. Intending to bequeath his vast fortune and estate to his long-estranged grandson Pancho, Don Fernando must contend with his ne'er-do-well nephew Juan.