Saheb Bhattacharya

Feluda alias Pradosh Mitra, a private detective is invited by a rich former Zamindar (and a retired big game hunter) in North Bengal. The task is to solve a riddle which was written by an ancestor long time ago. The riddle ostensibly contains clue to finding hidden treasure that belongs to the family of the Zamindar. When Tarit Sengupta, the personal secretary of the Zamindar is killed in mysterious circumstances, Feluda finds out that Tarit had already solved the riddle, and was in the process of stealing the treasure when he was killed. Then the mystery thickens as there are many suspects. At the end the man-eating Tiger appears to give the story a new dimension. How does Feluda Solve it? See it to believe. The mastery of Satyajit Rays's writing and direction of Sandip Ray can be seen here.

By accident, more than anything else, the three find themselves beside the grave of Thomas Godwin. The grave was dug up by some miscreants for unknown reasons. The rather colorful history of Mr. Godwin makes Feluda curious to know more about the man.From the diary of Thomas' daughter Charlotte, Feluda finds that a very precious clock went to Thomas' grave with him. To his surprise, Feluda finds that another party knows about this clock and they are trying to get it aided by the letter with them. Thanks to the brilliance of the detective and the help of 'Haripodobabu', the chauffeur of Mr. Ganguli, a new introduction in this book, their plot is foiled.

Because of a train strike, a group of tourists, mostly unrelated to each other, get stuck in New Mal Junction. These people are honeymooners (Saheb and Mimi), family vacationers (Pallavi Chatterjee, Koushik Banerjee, Tridha Choudhury), an ailing mother and her son (Lily Chakraborty, Kaushik Ganguly), a priest (Ardhendu Banerjee), a heroine and her abnormal brother (Gargi Roy Choudhury, Rajdeep Ghosh), one trekker (Kamaleshwar Mukherjee), a bus conductor (Rudranil), and a retired teacher (Maasud Akthar). One of the tourists, the priest manages to arrange a bus from the church for them to reach North Bengal. The other tourists also join him in the bus trip, but unfortunately the bus meets with a terrible accident. It falls off a cliff into an abyss, but the tourists survive with minor injuries. Injured and traumatized, they realize that they have become completely detached from any form of human contact.

Bheetu is an intense psycho drama which weaves a story around two women (sisters), whose inter-personal relationship and their whole outlook towards life have been shaped by their experiences while growing up. There's the lingering memory of childhood trauma... of the younger sister being molested as a child while the elder one, paralyzed by fear, was powerless to raise her voice against the ordeal. The film delves into love, betrayal and resentful bitterness... but above all, it talks about FEAR, an emotion which feeds on us until one has totally surrendered to it. Hence the name - 'Bheetu', which means coward, or in a state where one has totally succumbed to fear.

The movie consists of two Feluda stories by Satyajit Ray, Samaddar-er-Chabi and Golokdham Rahashya, shown on either half of the film. It was a tribute to the 50-year anniversary of Feluda and a sequel to Royal Bengal Rahashya (2011).

Every night at 10, Kolkata tunes into radio to listen to 'Kuchh Bheege Alfaaz' - an episodic series of unrequited love stories hosted by RJ Alfaz who, despite his tremendous following, prefers staying detached and anonymous. Among his many fans is the boisterous Archana, a girl working at a creative agency – which designs branded memes. She is leukodermic but lives life to the fullest. They meet; or rather talk, for the first time over a misplaced call, when Archana accidentally dials Alfaaz's number, while trying to connect with her latest blind date. Thus begins an interesting relationship between two unlikely characters, one overly compensating, but in denial of her present, and the other buried under a dark secret of his past.

Debarata, a conflicted Bengali man, adopts the ideologies of Netaji Subhas Chandra Bose to instill unity among the Bengali community to fight the wrongdoers.

A hoichoi Original about a filmmaker’s war with his memories and emotions. Will one movie tell the whole story?

Saat Number Shanatan Sanyal is a ZEE5 Original psychological thriller film starring Kaushik Ganguly, Shilajit Majumdar, Saoli Chatterjee and Saheb Bhattacharya. The story revolves around Shanatan Sanyal, a struggling perfume salesman, who visits seven clients who are his namesakes. Things get complicated when the namesakes start disappearing one after the other.

Mahim spies on Manmoth, a freedom fighter. Manmoth in turn keeps a sharp eye on Mahim to reveal his secrets to his wife.

Daab Chingri

Regressed Girija's insecurities take over his mind as he suspects that his truthful partner Runu is falling in love with a paying guest.

No man's land.

A story of a girl living with her mother in Kodi owning a guest house. Many guest came there. Now, see on ‘Addatimes’ how karma works.

A young girl named Ruu went on a vacation with her family. She was unhappy. A young Sikkimese Car Driver cum guide helps her to come out of her trauma as he takes her to visit Kanchanjungha, the snow clad mountain range. She reveals that her days are numbered as she is HIV positive and an AIDS victim. She decides to stay back in the lap of the Himalayas for ever.

The suave Prodosh C. Mitter aka Feluda has ruled over our hearts with his sharp wit, impressive intellect and astute observation skills for over five decades now! The story starts off with the murder of Birupaksha Majumdar by Vishnudas Balaporia in the cold Darjeeling Mountains. Feluda, Topshey and Lalmohun Ganguly investigate.

Ucoming Short Film by Sheiladitya Moulik

Pratiksha, 27, arrives in London three months after her marriage and shortly finds herself entrapped in a vortex of lies, deceit and danger. If she does not get out of the mess, everything in her life is at risk. She meets Ayesha.

Jaya Prada in Atanu Bose film.

"Aro ekbar" is the film about women empowerment, middle age obsession, single motherhood, marriage or live-in relationship which one is acceptable in Indian society, friendship and bonding ...

In the pre-independent days, Viceroy Lord Curzon gifted a diamond-embedded golden pen to a local landlord as a token of gratitude for saving his life. When a newspaper feature about the long-lost pen's historical significance surfaces over a century later, it piques the curiosity of several people for all the right and wrong reasons. The key to discovering the pen lies in solving a set of puzzles left behind by the landlord, but with a fortune at stake and plenty of interested parties joining the treasure hunt, things may just take a dark turn.

the film has been conceptualized as an apology letter to women from all sections of society, who have faced discrimination as well as have been victimized by both men and women in the patriarchal system.

An existential playwright and novelist Isha reads her novel to her partner, Agnibha, who is a ruthless critic. While in the middle of the reading, Agnibha presents his critical viewpoints, which initiates a discourse between them and unveils the cobweb of complexities in their love-hate relationship. Agnibha suggests a different ending to Isha's story. Will Isha understand Agnibha's point of view and change the ending of her novel? or Will this lead to more complexities in their lives?

This story and screenplay has been created with the essence from the poem “Hathat Dekha” by Rabindranath Tagore. Unseparated untouched but with times of age flowed to turn them old but they met each other in a railway compartment.

“Syndicate” is a socio-political thriller that throws light on the dark side of contemporary Indian reality, involving political bankruptcy and vacuity of ideology.

Anthology series that sheds light on some of the social taboos such as, homosexuality, bisexuality, and more that have an impact on our daily lives.