Thomas Clerc

An 18-year-old beauty develops an attraction to an older photographer.

Ordo Tupikos, a french sailor with greek origins, discover that his first wife, Estelle, with whom he had remained married a few months only 16 years earlier, is now a famous movie star called Louise Sandoli. But, more than her name, everything about Louise seems to have changed. Ordo decides to meet Estelle again, after all these years, to know what it's all about...

During the reign of King Louis X the Hutin, his wife Marguerite indulged in parties of pleasure in the secrecy of the Tour de Nesle. Her young lovers were also her victims, and she had them murdered to avoid detection. Such was the fate that awaited Philippe d'Aulnay, who had barely arrived in Paris and who, in one night, had gone from the arms of the sovereign to the bottom of the Seine. What the queen doesn't know is that among his companions in debauchery that night was a certain Buridan. An adventurer, ready to do anything to conquer money and power - including blackmailing the Queen of France... This is the beginning of a merciless war between these two beings, with one spectacular turn of events after another, horrifying revelations and the crossfire of hatred and love.

A fictional process. An amorous relationship in the process of falling apart? A semblance of narrative, a sketch of diegesis, the fragments of an encounter between a man and a woman: an 'encounter of the crossing', marked by return, splitting, distance. Indecisive attitudes suddenly suspended or contradictory, toneless voices. Figures, and not characters. The figure is this form that approaches and frees itself from the notion of character, which reduces presence to a borderline state and ruins representation. The figure strays from the real. This obliteration and ambiguity of the figure signal the vagueness of the subject, the loss of its unity, a relationship to the world of order and enigma. The figure as a simple appearance, a mental projection.