Elsa Madeleine

Voyoucratie is FGKO’s new film project. It’s a dramatic fiction about a young gangster’s chaotic path into life crushed by a criminal universe that he can’t escape from. It’s also about a frozen portrait of a youth trapped by a system that leads you to delinquency as the only way to exist. The pitch: Sam, a little bandit, finds himself trapped by a corrupted police officer who forces him to get information about Ali, one of the high crime boss known to be very dangerous.

Débutants

After giving up a life of cocaine trafficking, Dan is offered a chance to achieve his dream : moving to Australia with his daughter. He accepts the deal and starts a downward spiral sucking him back into 24 hours of hell.

Voyoucratie is FGKO’s new film project. It’s a dramatic fiction about a young gangster’s chaotic path into life crushed by a criminal universe that he can’t escape from. It’s also about a frozen portrait of a youth trapped by a system that leads you to delinquency as the only way to exist. The pitch: Sam, a little bandit, finds himself trapped by a corrupted police officer who forces him to get information about Ali, one of the high crime boss known to be very dangerous.

Jeanne works as an auxiliary in a maternity in Marseilles. Day and night, Jeanne and her colleagues fight to help mothers and their babies against the lack of staff and constant management pressure. Jeanne lives with her 18 year-old daughter, Zoé. When a tragedy occurs at the maternity and Zoé leaves to study in Paris, Jeanne’s secret past suddenly resurfaces and forces her to assert her life choices.

In a hotel that pays homage to Elvis Presley, five women come together to complete a mission: remove a dead man from the premises. In this jubilant giallo, where the murder of a man federates a friendship between five women, all the clichés of the crime film are undermined: no female character is a victim, the police play no role and the men are useless. Emma Axelroud Bernard, who signs her first film, shows great inventiveness in her falsely pastiche use of the codes of the photo novel and the American film noir, and skillfully combines offbeat humor and feminist pamphlet.