Nunzia Fumo

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

Teresa is a nurse and does not have an easy life: her husband plays poker and next to her she sleeps only and the father organizes the illegal lot among the sick. So one night Teresa is involved, in spite of herself, in a whirlwind of ambiguous situations, together with Ferdinando and Friariello, met by chance, between camorristi, dog races and a bingo of which he unknowingly becomes the prize. But "has to pass" to "nuttata", this is certain, but how?

Three episodes about the relativity of time.

Misery money-lender Arpagone is looking to arrange three weddings simultaneously - to cut down on costs. One for himself and the others for his two children. Of course he doesn't approve of the choices his son and daughter have made and conspires to arrange more well to do spouses against their will. However, fate will prove itself to be on the side of true love, not of the greedy.

De Pretore Vincenzo

In Naples, Professor Bellavista is a retired man, passionate about the philosophy and thought of Ancient Greece. Every day, in his luxurious apartment, he teaches his lessons of life to the poor-nothing (his friends), who are dazzled by his reasoning. One day, however, the quiet life of the building of Bellavista will be disturbed by the arrival of a director of Milan. Between Naples and Milan there contrast, because the Neapolitans are accustomed to enjoy a quiet life, always based on the "philosophy of pleasure and delay", while the northern Italians are very strict and punctual.

Il mistero di Bellavista

After the Allies liberate Naples in 1943, life for the locals is not much easier, especially for women. Many sacrifice their dignity and morale to survive.

Michele, a young mechanic, is in love with Angela Antonia, beautiful but capricious: the girl's father, once he learns of the relationship, has him fired from the place where he works and is forced to move to Naples. He asks for hospitality from his aunt Carmela, concierge in a building, but she has no vacancies and arranges him as Donna Tecla, the owner of a pension who, having three young daughters eager to get married, hopes to arrange at least one. But the three girls are not the best of beauty and Michele, gifted with a beautiful voice, agrees to sing in a club on behalf of an impresario who becomes his friend.

An American actress on vacation in Italy falls for her friend's married Italian lover.

A septuagenarian couple are attracted to each other in a retirement home but find the institution and their fellow patients frown on their relationship.

A young couple, Renato and Maria, struggle to provide for their young daughter Pia.

Peppino, a slow-witted local villager of the Italian resort town of Amalfi, is bribed to impersonate famed rock and roll star Adriano Celentano for autographs and personal appearances. While Celentano tries to romance Emanuela Mazzolani, the daughter of a well-to-do resident who dissaproves of the union between his daughter and the man he thinks of as a "punk", Peppino, unaware of the true nature of his job to impersonate Celentano, tries to deal with his girlfriend's newborn baby which gets switched around between him and Celentano.

La ballata di Eva