Leung Sing Poh

A beautiful Cantonese opera about the forbidden love between a princess and a scholar. The backdrop is Ming dynasty China and the two would rather die than be apart.

Ghost story from Hong Kong directed by Ng Wui.

A melodrama about the blossoming love between two music students returning home from abroad and planning to wed. However, both of their parents don't know about it and when they find out, all bliss blasts away as social gaps become an issue.

Chinese Opera from Hong Kong directed by Ng Wui.

Comedy from Hong Kong directed by Chow Sze-Luk.

Comedy from Hong Kong directed by Ng Wui.

Comedy directed by Fung Fung

Comedy from Hong Kong directed by Fung Chi-Kong.

Comedy from Hong Kong directed by Yam Wu-Fa.

Chinese Opera from Hong Kong directed by Lau Fong.

Comedy from Hong Kong directed by Chiang Wai-Kwong.

TONG Pak-Fu, CHUK Chi-Sang, MAN Ching-Ming and CHOW Man-Bun were the four famous learned-men in classical Mid-China. They were on good terms. Once, they picniced and visited the monkish home in Fu-Yau Mounts. While there they encounter the Lady of WAH Prime Minister in a sedan followed by a train of servants and maids. One of the maids named CHAU Heung was very attractive. Pak-Fu was attracted by CHAU Heung and tried every opportunity to get near her, and caused a lot of laughter. HE even followed CHAU Heung to Han-Chow. The Prime Minister needs a library mate urgently. Pak-Fu takes this opportunity to apply for it and was accepted. He tried to date CHAU Heung when she brings snacks to the library one day. She rebuked him for giving up his future prospects. The three friends of Pak-Fu discover that Pak-Fu had disappeared. They soon find out his whereabout. With the help of the 2nd daughter-in-law of the Prime Minister, a cousin of Pak-Fu...... the two lovers eventually get married.

Written by the great librettist Tong Tik-sang, and featuring Lee Tit's elegant direction and superb performances from Yam Kim-fai and Pak Suet-sin, "Butterfly and Red Pear Blossom" brings Cantonese opera to cinematic life. The film features two lovers who have never met in person but whose poetry over three years has subtly declared their unyielding love. Yam's minimalist acting style enables her to convey dynamic passion as well as step about the stage with ease and accomplish the image of a resolute, yet gentle, scholar. Pak meanwhile defies a prime minister with pride and dignity.

The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.

An adaptation of Tong Tik-sang's now-legendary Cantonese Opera piece, the film features divas Yam Kim-fai and Pak Suet-sin (left with Yam), who play the story's lead lovers, and Lan Chi Pak, the sinister official who tries to break up the relationship. Leung Sing-po plays the pair's friend as well as the mysterious 'man in yellow' who exposes plans to separate the couple.

Three tales taken from author Pu Songling's collection of famous classical ghost stories. Wu Qiuyue- Wang Ding falls in love with a ghost and fights with the guards of Hades to bring her back. Monk Lu Shan-A monk takes Wang Qi as pupil and teaches him the act of walking through walls. A Woman's Head- Li Sheng marries Rui niang only to discover that she is a headless ghost.

Hong Kong horror.

Based in Chinese opera, the film tells the story of a young scholar in the Tang Dynasty, Li Yi who travels to the capital Changan to take the national civil examination. During the Lantern Festival, he encounters Huo Xiaoyu in the night market and picks up the purple hairpin she leaves behind by chance. Using the hairpin as a token of love, Li proposes to her on that same night. However, “the course of true love never did run smooth.” With the assistance of a mysterious man in the yellow robe (Huangshanke), together they have to fight against the wicked plot of Official Lu.

Lau Ching-yee sets out to investigate the raid on her uncle's consignment of silver when she stumbles upon two suspects, the stately Cheung Ting-yu and his attendant Mang Leung. Cheung makes the acquaintance of the knight-errant Poon Mo, who is recruiting allies to join the band of martial adepts against Tsak Sing-tau in the ring to win 20 chests of jewels for the poor. Failing to pressure Cheung to turn over the silver, Lau engages him in a fierce fight until the respected elder Moh Oh-ming intercepts and settles the dispute. Who is behind these strange events?

Lau Ching-yee sets out to investigate the raid on her uncle's consignment of silver when she stumbles upon two suspects, the stately Cheung Ting-yu and his attendant Mang Leung. Cheung makes the acquaintance of the knight-errant Poon Mo, who is recruiting allies to join the band of martial adepts against Tsak Sing-tau in the ring to win 20 chests of jewels for the poor. Failing to pressure Cheung to turn over the silver, Lau engages him in a fierce fight until the respected elder Moh Oh-ming intercepts and settles the dispute. Who is behind these strange events?

Li is a beautiful young woman who is engaged to a handsome scholar, Pei Shunqing. However, a rich evil man, Jia Sidao, is attracted by Li's beauty and wants to take Li as his concubine. Pei and Li then come to discuss the matter and decide to flee, but they are kidnapped by Jia's men before they can escape. Jia threatens to kill Pei, and Li finally yields but requests to see Pei for the last time. During their short conversation Li tries to persuade Pei to leave, but he insists that he will not leave without her. Li tells him that she has promised to be Jia’s concubine. Pei has to depart, angry and disappointed. Later, Li tries to kill Jia with his sword before their wedding but she is stabbed to death instead. Li's ghost then returns to avenge Jia and his men by burning them until only ashes remain.

Hong Kong comedy directed by Li Han-Hsiang.

1977 film

1974 Drama by James Wong Jim

This is a film that celebrates the moral function of art. Sun Ma Si-tsang, at once a master Cantonese opera actor and a talented comedian, showcases an oft-overlooked style of singing, presenting it as an inspirational force that saves life and betters relationships. He plays the titled character, who doesn't operate a boat and is nowhere near bodies of water, but an artist specialising in the Dragon Boat style of music. Forced to perform on the streets to make a living, he ventures into situations manifesting the many societal problems that plague Hong Kong, inspiring and elevating common folks with his artistry. He stars alongside Leung Sing-por in a classic animation of comedy partnership, generating laughter from the interactions between players of contrasting body types.

London special agents Wong Tak-fat and Fong Lung have arrived in Hong Kong to investigate a murder in connection with a drugs trafficking ring. Fong attends a ball hosted by his girlfriend's rich father Sze Kam-wing where evidences lead him to the Black Eye Bar. Wong befriends the recently widowed bar owner Lee Mei-chen and soon becomes enlisted as member of the ring and the ring leader's trusted aide. Falling in love with Lee, Wong is told that her husband was killed for leaving the organisation. Wong is however unable to establish contact with Fong with all outside communication cut off. Anxious to hear from Wong, Fong investigates discreetly at the bar. Mistaken for a cop, Fong is captured but helped to flee by Lee. Alarmed by Fong's escape and the leak of Wong's identity, ring members are just about to execute Wong and Lee just when the police raid the drugs den and arrest the ringleader—Sze.

A Death Pass is an outstanding crime drama spiced with a touch of ‘Jane Bond'. A sequel to the police story Girl Detective 001 (1966), director Chor Yuen and scriptwriter Szeto On retain the undercover plot but turn the film into more of an atmospheric mystery, in which a series of murders are committed after the victims are served with a provocative Death Pass. Connie Chan Po-chu stays truth to the ‘Jane Bond' persona of a virginal action woman, exuding tender charm and steely professionalism all at once. Under Chor's able direction, Szeto's complicated story is executed with style and vigour, culminating in a climatic dramatic plot twist, realised beautifully by the performance of veteran actor Leung Sing-por.

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

A boy and a girl, who are both raised as the opposite sex, see through each other's disguises and fall in love. Together, they must come up with a plan to reveal their true identities to their superstitious fathers and fight their respective arranged marriages.

Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

Tragedy of the Poet King

Wu Te-chuan is a young man trying to make a living in an easy way. But now he is penniless and will being thrown out of his Macau hotel. Kind- hearted hotel maid Hsiao Yen is the only one to help him in the world. One day, Wu plays a trick on the hotel owner. The scheme backfires and Wu has to flee to Hong Kong. Wu saves desperate painter Hsin. He convinces Hsin that his painting will sell if he is dead. After Hsin pretend to be dead, his paintings really can be sold well, but backfires finally. Then, Wu and Hsin team up and engage themselves full time in con games, gambling and sex inclusive. Finally, Wu is being chased by the ring enforcers but is saved. Finding himself in love with Hsiao Yen, Wu decides to turn a new leaf and live properly ever after.

HK horror film.

HK musical horror film.

The love story between Tang Bo Hu and Qiu Xiang

Third Sister Tai marries Dunce Lau and her life has since been between laughter and tears. At the birthday party of Tai's father one year later, Lau's wit suddenly comes back to him. Lau turns the occasion into a stage for displaying his talents and makes fun of his two brothers-in-law who used to despise him.

Hong Kong horror comedy from 1957.

A Shaw Brothers crime film starring Paul Chang Chung and Pat Ting Hung.

扭計祖宗

一代橋王

契爺皇帝