Tan Chui Mui

On May 18, 2017, the Busan International Film Festival’s Program Director Kim Jiseok died suddenly and unexpectedly from a heart attack while on a business trip to the Cannes Film Festival. In the face of his unexpected demise, his old friends and colleagues in the film industry recall what tormented him in his last days.

In this black comedy about the disintegration of a love affair, a young woman's loneliness in the midst of Kuala Lumpur's metropolitan sprawl triggers a tenuous relationship with a naïve salesman who has a tendency to please and over-emote.

A Chinese family lives in Kuantan, Malaysia in the 1980s. Because of the centuries of turmoil, their attitude towards eating almost became a ritual.

The laundry girl & motorcycle girl are best friends since childhood. Over the years their relationship has slightly changed. The laundry girl is two-timing her boyfriend, the motorcycle girl continues to help keep it a secret. The motorcycle girl remains single and the laundry girl continues her search for true love. Or maybe due to some unforseen circumstances the girls will continue to keep their real feelings from each other and remain best friends.

Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.

Zi Kien and his mother Ah Lin only have each other in their lives until one day, Ah Lin starts dating Mr. Lee. Zi Kien feels his place in his mother's life is threatened, and he starts to change himself. This is a story about a mother and son who care too much about each other, yet pretend not to.

Moon Lee, a celebrated award-winning actress, has become a full-time mom and divorcée since retiring. Desperate to regain her sense of self, she jumps at the chance to work with her long-time collaborator, director Roger Woo, again. Only this time, he casts her as the lead in a do-your-own stunts martial arts film. The role requires extensive training and though Moon is at first uncertain, she leaves her young son in the care of Roger’s assistant and commits herself to back-breaking training. As soon as she starts to gain some confidence, Roger breaks the news to her: the only way the film can move ahead is to cast her ex-husband, Julliard, as the male lead.