Tamae Kiyokawa

An old man dies of heartbreak when a cruel landlord is about to repossess his land. The old man haunts the landlord from the grave. Since the man died in debt, his wife and daughter are indentured servants and are forced to work in the landlord's factory.

The otherwise promising young man Asaji (Heihachirô Ôkawa) and his younger brother Yuji (Hideo Saeki) face blighted lives because of society's disapproval of their illegitmacy and déclassé family.

As suggested by the title, this film takes up the theme of the city, beginning with a series of traveling shots from Chiyo's point of view on a bus leaving the countryside and entering the metropolitan cityscape. After some fruitless job hunting in downtown Tokyo, Chiyo accepts a job as a bar hostess in Shiba ward. Well away from glamorous Asakusa and Ginza, this is a neighborhood bar where the women are dirt poor, each having only one kimono to their name....

A luckless geisha struggles to make a living for herself and her young son.

Okoma, a witty young woman working as a conductor in an old, rickety bus in Kōfu, Yamanashi (rural Japan), has a creative idea that could avert the dwindling number of passengers when her job and the bus company itself are at stake.

Police detective Heiji is assigned to catch the masked Maboroshi gang of robbers who have terrorized all of Edo leaving few clues as to who their leader is.

A bar girl tries to pass her three children, each from a different father, to rural relatives.

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

Japanese comedy directed by Noriaki Yuasa.

Adaptation of a novel by Yojiro Ishizaka, originally released in two parts.

Second "Pfc. Story" sequel and the ninth and final sequel to "Story of Second Class Private", the only one in both series not directed by Seiichi Fukuda.

Kotaro Shimoyama, once a government official, loses his job and separates from his wife, Sachie. He now resides with his daughter, Haruko. By chance, he apprehends a criminal and reconnects with his former colleague, Sakamoto, leading him to become a security guard at a film studio. Haruko, secretly a singer, rises to stardom within the same studio. Unbeknownst to each other, they both work there. As the studio faces turmoil, their hidden identities are unveiled...

1936 P.C.L. adaptation of Natsume's novel.

1952 Japanese film directed by Kunio Watanabe.

Japanese musical.

Japanese comedy film.

Japanese comedy film.

Toku, a factory worker gives food to a starving woman, Tsuru, who then follows him home. He shares a shack in a shanty village in Kawasaki with his friend Pin-chan. The two men try to get rid of her but then let her stay when she gives them money. Tsuru tells the people of the village that she lost her job due to a strike, then was robbed of her severance pay, then sold to a brothel in Tsuchiura. She ran away with a friend from Kawasaki. Toku and Pin-chan sell her to a geisha house and spend the money. She is thrown out. The owner demands his money back. Tsuru earns the money to pay their debt by working as a prostitute outside the station. The other prostitutes beat her. She fends them off with a policeman's revolver and is then shot dead by the police.

In A Tale of Archery, young, timid bowmaster Kazuma (Akitake Kôno) seeks to beat the archery record set by Hoshino Kanzaemon, a mysterious figure who, it is rumored, drove the previous champion (Kazuma’s father) to suicide. Possessed of much raw talent, Kazuma is also very much a coward, holing himself up in an inn run by the kindly Okinu (Kinuyo Tanaka) and generally avoiding confrontation of any sort. Despite his clandestine manner, enough of the locals know of Kazuma’s purpose and an attempt is made on his life. He is saved by Karatsu Kanbei (Kazuo Hasegawa), a samurai who offers to help Kazuma hone his archery skills, though it soon becomes clear that this apparently selfless stranger has several potentially shady ulterior motives.

A small community in wartime Japan learn how to make do with less.

A self-absorbed young actor humiliates an elderly Noh performer, who then commits suicide. His act of cruelty compels his father to disown him, leading the once promising actor to a life on the streets. But his desire to win back the respect of his father and the affection of the dead actor's daughter pushes him toward a more noble existence. Naruse employed a delicately structured mise-en-scene in this family melodrama, which evokes the work of Josef von Sternberg.

Adaptation of a novel by Nobuko Yoshiya that was serialized in "Shufu no tomo" between 1939 and 1940.

Japanese "kayo" film based on the song "Ieraishan" by Yoshiko Yamaguchi.

A story about four best friends and their lives inside and outside college. Then suddenly one of them receives a surprising offer to be a movie star.

Japanese drama film.

Japanese comedy film.

Yuko is sent to the coastal regions to be raised away from the rest of her sophisticated family where she finds out from her ill grandmother that she is not who she thought she was.

Tanuma Kandayuu is a high class samurai of the house of Nabeshima. He finds a lavish board of Go (a Chinese Board game) at Kinbei's store. He recommend Kinbei to offer it to his lord. Kinbei hesitates at first, since he knows the board has a mysterious legend surrounding it; it's believed that for every game played on the board, one death is required.

Wakai musumetachi

Red Love, Green Love

Japanese domestic drama.

Twenty-year-old Yoshiko (Setsuko Hara) and her younger sister Asako (Yōko Yaguchi) struggle to accept changes in their home during the preparations of their widowed father's wedding to his chosen bride, Maki Tsuneko (Sadako Sawamura), who's anxious about her conduct as the bride.

Adaptation of Fumiko Hayashi's novel.

Wartime propaganda filmed by the Japanese in occupied China, Shirley Yamaguchi portrays an orphan rescued from the streets by a kindly Japanese merchant marine officer. Part spy thriller and part Shanghai travelogue, it was part of a popular series known as "Chinese Continental Friendship" made by the occupying Japanese in China.

Part 2 of a 2-part romance (fist part - Kafuku zempen) based on a story by noted author Kikuchi Kan. In the second half, we discover that Toyomi is pregnant -- and while Shintaro and Yurie are on their extended honeymoon, she bears his child, a girl named Kiyoko. She is supported in adversity by Michiko -- and gets considerable moral support from not only her own mother but also from Shintaro's mother and siblings. Even more surprisingly, Yurie strikes up a friendship of sorts with her. When Yurie learns that the child is Shintaro's, she convinces Toyomi that it would be best to let Shintaro (and her) raise Kiyoko, so Toyomi can get on with making a proper life for herself. Tearfully, Toyomi agrees. Sometime later, Michiko goes to visit Toyomi -- and sees her at work, as a kindergarten teacher.

Kohei Misugi works in a vegetable market, but his ambition is to be a photographer. He is given his first opportunity to demonstrate his talent by the Sakura Film Company which offers him an assignment to "Cover Tokyo" with a camera. But he is disillusioned when he is told he must work together with Miharu, a good looking girl in the film company's publicity department. Then the fun begins.

An Ishiro Honda film.

A young man and woman are determined to marry despite opposition from her parents.

Nobuo is a hot-headed hoodlum fresh out of reform school who struggles to make a clean break with his tearaway past.

A Man's Flower Road of Triumph

Part 1 of a 2-part romance based on a story by noted author Kikuchi Kan. The central character here is Toyomi (played by Takako IRIE, star of Mizoguchi’s "Water Magician), a rich young woman in love with Shintaro (Minoru TAKADA), a rich young man. Unfortunately, Shintaro’s father is in the process of arranging a marriage for him with Yurie (Chieko TAKEHISA), the scion of an even wealthier family. In order to avoid this, the two young lovers flee to Tokyo to live together. When Shintaro comes back to proclaim his intent to marry Toyomi, his father browbeats him into attending the long-arranged marriage meeting with Yurie. While Shintaro is back home, Toyomi goes on a vacation trip with her closest chum, Michiko (Yumeko AIZOME). At a class reunion, Toyomi is to distressed (at not having heard from Shintaro for so long), she doesn’t go out on the town with her classmates. Michiko, however, runs into Shintaro and Yurie (also out on the town), and pulling him aside, demands an explanation.

Employee Full of Fight

The story follows Oshino, a geisha who is trying to start a new life with a lover who is a painter. However, her past filled with debts and pimps catches up to her.

Tsukinode no ketto

Jacks and Jills

1957 drama from director Kôzaburô Yoshimura

Five Star Private

Hideko, a young Baseball fan, determined to cheer for her favourite baseball team by creating a new song for them.

A motley cast of characters, including a human billboard and a shoeshine girl, help a 5 year old girl after she is separated from her mother on the crowded streets of Ginza.

Kôfuku eno shôtai - Invitation to happiness

In a small town, according to the homecoming of Professor Ishinaka, the youth culture group was overwhelmed to make a presentation for the summer festival, but because of lack of funds, she works part-time at the spectacle of a tour, a haunted house Especially. The ghost was a struggle amongst the people, it was a great success in filling the crowd, but in the circus hut next to it, Kenji who was supposed to have disappeared was pitiful.

Lord for a Night is a 1946 Japanese film directed by Teinosuke Kinugasa.

Kekkon Sanjûshi

The final film in Shimizu’s thirty-plus year career, Image of a Mother remains true to Shimizu’s central themes as a young boy must learn to form a relationship with his new stepmother. A rare scope feature from Shimizu, his final work forms a fitting farewell to a career so devoted to the lives of the misunderstood.

Megitsune Buro

A forceful indictment of the devastating effects of war and nationalistic fanaticism on the average man, who, in the face of the absurdity of violence, is reduced to apathy or victimhood.

Coal miner Isamu Oba is forced to quit his village and leave his mother and siblings behind. Mining buddy Ichiro accompanies him to Tokyo, and the pair enjoy several "fish-out-of-water" sequences before finding employment at a boxing gym with trainer Sawada and his spunky sister Tomoko. The boys also find part time night jobs as roving minstrels in the club district courtesy of benevolent gang boss Asakawa. Of course, they run afoul of boss Karasawa's cruel gang. Karasawa also has it in for Asakawa, and this indirectly throws a spanner into the works as far as Isamu's burgeoning success as a kickboxer. When Asakawa 's HQ is burned to the ground by Karasawa's men, Asakawa tries to kill Karasawa - which, of course, leads to his own gruesome death. Isamu goes on the rampage with his sword, wiping out Karasawa and men.

Set in the postwar turmoil, Akasaka no shimai paints a vivit portrait of the life of three sisters who struggle to live in Tokyo.

Melodrama by Kiyoshi Saeki

One Sunday morning, Toshio Esaki, a young dentist, wakes up in his clinic. It seems that he was drunk and spent the night in the clinic instead of going home. When he goes into the laboratory to get a drink of water, he finds a woman wearing a green striped Western-style dress lying there.

Directorial debut by Umetsugu Inoue, the famous director of Musicals

Story of young love in the hills.

The Old Man of the Propeller can be seen as a comedic amalgam of “King Lear” and “Christmas Carol”. A neighborhood loan shark is hounded by his relatives expecting big inheritance. But he is not giving any favor to anyone. His only joy of life is to go on junk hunt in the neighborhood, collecting garbages and scraps and selling them to junkmen to make profit.

This is a rokyoku film of Tenjuken Ungetsu II (Hideko Itami), a popular rokyoku performer who was famous for her seven different voices for men and women of all ages.

9th directorial work by Yamamoto Satsuo.

Kitagawa Utamaro is a famous ukiyo-e artist known for his paintings of beautiful women. The courtesan who became his model became even more popular. Ocho, a resident of an apartment building, hears about this and secretly plans to follow Otose, the owner of Mizuta-ya, who became famous as Utamaro's model. At this time, the Kano school, headed by Kano Eikawa, which was under the control of the shogunate, is dissatisfied with Utamaro's fame and tries to compromise him…

A middle-aged factory engineer trains, marries, and ultimately loses a teenage bride after she enslaves him to her whims.

直八子供旅

1950s Japanese comedy.

A priest in Hokkaido adopts a blind orphan girl, and as she grows up he finds himself falling in love with her.

Jidaigeki by Tai Kato

Kodakara fūfu

Set in Qingdao, China, a Japanese company locates an office there and begins work and cooperation with a local Chinese company for business. Many Japanese engineers also move to China, with their families, for the company in order to construct a canal. There are young Chinese resisting the Japanese in this area.

Japanese noir.

1961 Toei comedy

Ushinosuke returns to his hometown to become a farmer. Part three (of four) of the film adaptation of Bunroku Shishi’s novel, Oban.

Part 2 of the 'Onna bangaichi' series

On the eve of the Russo-Japanese war at the beginning of the 20th century, small-town girl Okane has married an old wealthy man to escape a life of poverty.

1962 Japanese movie

1962 Japanese movie

1962 Japanese movie

Under the Blossoming Peach

1962 Japanese movie

It was supposed to be about a love story, but it was and was not. An aircraft mechanic working for the government is matched by his boss with the latter man's daughter (Setsuko Hara) who is both beautiful and aggressive. Yet, he picks a woman who is less assertive as his bride.

Shinzō, the heir of the prominent Edo lumber dealer Yamashiroya, left home when his stubborn father, Chōzaemon, dismissed his lover, the maid Oyasu. Shinzō and Oyasu set up a household near a soba shop in Fukagawa, but Shinzō struggled financially, turning to gambling and fighting, while Oyasu worked as a tea server in a theater, constantly harassed by a small-time gangster, Rikichi, for cigarette money. The only ones concerned about Shinzō and Oyasu were Shinzō’s sister, Omitu, and her dance teacher, Oyoshi. Later, Shinzō managed to get a job at another lumber dealer, but after a conflict with the detective Hansuke, who was also infatuated with Oyasu, Shinzō accidentally dropped lumber into the river and was fired. Unaware that Oyasu had borrowed money from a bar to repay the lumber dealer, Shinzō left to earn money in the Mito clan's crew quarters and ended up rescuing Rikichi from a dice game trouble.

1950 drama film

1949 Japanese film

1962 Japanese movie

1962 Japanese movie

Famed movie director Paul Robaix breaks with tradition by not casting his actress-comedienne wife, Lucy Dell, in his latest film production, a version of Madame Butterfly. Undaunted, the resourceful Lucy wings her way to Tokyo and, masquerading as a Japanese geisha, lands the coveted role from her unsuspecting husband! But in front of the cameras (and behind the pancake makeup), Lucy faces greater challenges: her lecherous leading man - and a husband who is beginning to realize that his talented new "discovery" seems vaguely familiar...

Akogare no Hawaii kôro

Kichigoro, a firefighter from the Maeda family of the Kaga Principality, rescues Oshimo, the younger sister of Jirokichi, a city firefighter from the Ha-gumi group, from a samurai who is trying to kidnap her. Oshimo has feelings for Kichigoro. At this moment, a fire warning bell sounds in the city...

1940 Japanese movie