Sidney Blackmer

Salisbury, North Carolina, USA

Biography

Sidney Alderman Blackmer (13 July 1895 – 6 October 1973) was an American actor. Blackmer was born and raised in Salisbury, North Carolina. He started off in an insurance and financial business but gave up on it. While working as a builder's laborer on a new building, he saw a Pearl White serial being filmed and immediately decided to go into acting. Blackmer went to New York hoping to act on the stage. While in the city, he took jobs and extra work at various film studios at the then motion picture capital, Fort Lee, New Jersey, including a bit part in the highly popular serial, The Perils of Pauline (1914). He made his Broadway debut in 1917, but his career was interrupted by service in the U.S. military in World War I. After the war, he returned to the theatre and in 1929 returned to motion pictures and went on to be a major character actor in more than 120 films. He won the 1950 Tony Award for Best Actor (Drama) for his role in the Broadway play, Come Back, Little Sheba. In film, Blackmer is remembered for his more than a dozen portrayals of U.S. President Theodore Roosevelt and for his role in the Academy Award-winning 1968 Roman Polanski film about urban New York witches, Rosemary's Baby, in which he played an over-solicitous neighbor. A humanitarian, Blackmer served as the national vice president of the United States Muscular Dystrophy Association. In 1972, he was honored with the North Carolina Award in the Fine Arts category. It is the state of North Carolina's highest civilian award. On his passing in 1973, Blackmer was interred in the Chestnut Hill Cemetery in his hometown of Salisbury, North Carolina. Description above from the Wikipedia article Sidney Blackmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955