Jono Mainelli

"Bulldog in the Whitehouse" takes political satire to obscene new heights: portraying the Bush administration as a cabal of lustful and traitorous gay men who are too busy having sex to notice the empire crumbling down around them. An explosive and darkly comic adaptation of Choderlos de Laclos' novel Dangerous Liaisons, the film's web of sex and deceit centers on Bulldog, a hustler who seduces his way into the Washington press corps to gain access to the halls of the political elite. At the bidding of his puppet master, a corpulent and power mad Karl Rove, Bulldog engages in manipulative trysts with Whitehouse hotties like the demure press secretary, the religious leader and the confused, imbecilic good ol' boy president himself.

Based on the journals of Nail, a male hustler who reentered the prostitution ring after 10 years in a relationship, Todd Verow's experimental documentary (shot entirely on a cell phone camera) examines the changing landscape of male prostitution. Nail's narrated journal entries accompany dreamy and abstract imagery shot all over the world. Verow also explores how the Internet has shaped the sex trade.

In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down