Þórunn Lárusdóttir

There once was a girl named Anna Young. One day, her family is waiting for their perfect daughter to arrive at the breakfast table and kiss them good morning as always. But this morning Anna wakes up with a horrible illness. She looks like a sad version of Marilyn Manson and is terribly moody. Not realizing what is “wrong” with their daughter, Anna’s parents decide to take her to Dr. Artmanns’ clinic for kids with behavioural problems. In his analysis of Anna, Dr. Artmann uses a huge labyrinth where Anna is exposed to various tasks. The only way out of the maze for Anna is to complete her tasks in the right manners. But the right way is not necessarily what the parents think to be the right one.

Victor is the story of a conscientious if somewhat withdrawn traffic warden who through a series of mishaps finally finds his place in life. While the setting is unusual the film addresses a wide range of emotions and morality; Love, deceit, frustrated longings and human dignity. Victor, the eponymous hero of the film, is torn between his desire for the supermodel Kate le Font and the genuine affection of his co-worker Herdis. Victor's story comes to a head when a crooked traffic warden accuses him to hide his own crimes. With Herdis' help our hero narrowly avoids disaster. In a surprisingly complex plot, the film illustrates the dangers of repressed emotions, the liberating power of love and the ultimate triumph of good. All this takes place within the microcosmic context of the traffic warden's world which becomes a reflection of all human drama.