Larry Miller

Brooklyn, New York, USA

Biography

Lawrence John Miller (born October 15, 1953) is an American comedian, actor, podcaster, and columnist. He is primarily regarded as a character actor, with The A.V. Club noting that he "can be counted upon to improve every film or television show he appears in". His better-known roles include Lou Bonaparte in Mad About You (1993–1998), Pointy-haired Boss in Dilbert (1999–2000), Edwin Poole in Boston Legal (2004–2008), Mr. Hollister in Pretty Woman (1990), Dean Richmond in The Nutty Professor (1996) and Nutty Professor II: The Klumps (2000), Walter Stratford in 10 Things I Hate About You (1999) and Paolo Puttanesca in The Princess Diaries (2001) and The Princess Diaries 2: Royal Engagement (2004). He reprised his role as Walter Stratford in the televison series 10 Things I Hate About You (2009–2010). From Wikipedia, the free encyclopedia

Movies

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley. The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, "I thought it would be interesting to show people that side of the business". He did not want to present them in a "sensationalized way [that] they're presented in the press, but as normal people". The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.

More info
Dinner for Five
2001