Brenda Ngxoli

As Spud Milton continues his awkward stagger through adolescence, he learns one of life's most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. "I'm practically a man in most areas," writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud's world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.

A 10-year-old South African orphan leaves his Zulu village to make his own life in the city... only to find no one will help him, except a formidable Indian woman.

Set in South Africa's rural Great-Karoo region in the 1950s, this epic existential-adventure film chronicles the exploits of the outlaw John Kepe and the various individuals his escapades affected. This Robin-Hoodesque figure would steal primarily livestock from the white settler farmers, terrorizing them for over a decade. Led by the hardliner General Botha, a mammoth manhunt ensues in the very mountain where Kepe was rumored to occupy a Noah's Ark like cave. This spectacle ingratiated Kepe in the hearts of the marginalized indigenous-population, who turn Kepe's miscreant deeds into the stuff of legend, making him a threat to the very fabric of the colonial society. Sew the Winter to my Skin is a thrilling, operatic ride into the heart of Pre-Apartheid South Africa and is a visceral exploration of the effects of the colonial displacement that sewed the seeds for one of the most viciously racist, political regimes in history.

When an undercover cop is tasked with investigating a historic gold heist in Johannesburg, he’s forced to choose between his conscience and the law.

Home Affairs is a South African television drama series created and produced by Roberta Durrant. It tells the story of nine very different women whose lives are interconnected. The women's stories reflect the wide cultural range of South African women. The women each undertake a journey of self-discovery, connecting with each other in various and random ways.