Tina Balthazar

In the illustrious tradition of on-the-road, rambler cinema, Welcome to Nowhere (Bullet Hole Road) is a fresh, experimental take. Heavily reliant on motion graphics animation, director William Cusick charts the surreal encounters of five overlapping strangers in the American desert. The spirit calls to mind David Lynch, and more recently Calvin Lee Reeder and Cory McAbee, but it never feels derivative, it always brings fresh light...Cinema often loses power in clarity, in a strict adherence to narrative logic. The unwieldy and fractured nature of Welcome To Nowhere offers more than a story, here, all that really matters is the weariness of the ramble. It's hazy and sweaty and sketched. "You know how some pills you take are clear, but on the inside are all these little balls of shit that are really the pill?" That's where nowhere is. This used to be the stuff of cult classics.

Fuelled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne and Diana Prince assemble a team of metahumans consisting of Barry Allen, Arthur Curry and Victor Stone to face the catastrophic threat of Steppenwolf and the Parademons who are on the hunt for three Mother Boxes on Earth.

Horror about three journalists who travel from Vancouver to Transylvania to uncover the true story of Dracula. As they visit the area's historical sites and libraries to decipher the various clues behind the famed vampire's existence, the trio's determination to get their article may end up costing them their lives.

Determined to ensure Superman's ultimate sacrifice was not in vain, Bruce Wayne aligns forces with Diana Prince with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions.

Life is pretty dull for farmer Earl and his brother Joel: Wake up, feed the cows, and sit on the porch until it's time to turn in. Until one night when a mysterious object from outer space crash-lands in their pasture killing their best bull and milking cow.