Gangapada Basu

A wealthy landlord lives a decadent life with his wife and son. His passion – his wife would calls it his addiction – is music, and he spends a great deal of his fortune on concerts held for the locals in his magnificent music room. He feels threatened by his neighbour, a commoner who has attained riches through business dealings. His passion for music and quest for social respect are his undoing, as he sacrifices his family and wealth trying to retain it.

Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.

Ramu, eldest son a family of migrants, is a fresh graduate searching for a job like many others in post-partition Calcutta.

After Partition, a large group of farmers from East Bengal have to migrate to Calcutta.

An underpaid middle-aged clerk finds a stone that changes iron to gold on touch.

A 1957 Indian film about an aspiring singer and the son of a reputed businessman. His stepmother accuses him of indecency and throws him out of his house to inherit all the property of her husband. The female protagonist suffers a similar fate as her stepmother forces her to leave. They both decide to commit suicide and go to a riverbank where they meet and the cupid strikes.

Arjun is a very lonely person. He doesn't know what life is. Every day for him is a struggle. So he becomes a criminal. Jail is a safe custody for him because food is always available in jail. So he tries to return to the place, but all his efforts gone in vain, then he travels to a place and meets a father. He is the principal of a missionary residential school. In that place Arjun meets Miss Chaterjee, a teacher. At first she doesn't like him, but shortly she started to realise Arjun's quality. Arjun is an also a very good singer, but again for his bad reputation police catches him and send him to the jail. In court some students actually support him and thus all the misunderstanding solved and the truth prevails.

Nishithe

Pranbir goes to war where he meets his doppelganger, Rateshwar, who eventually dies in combat. Pranbir decides to visit Rateshwar's family to inform them about his death but the family mistake him for Rateshwar.

Trouble ensues when an eccentric but simple-minded villager discovers he is the only living heir of a royal estate.

'Nishi Padma' is a 1970 Bengali drama film written and directed by Aravinda Mukherjee, based on a short story 'Hinger Kochuri' by Bibhutibhushan Bandopadhyay, and starring Uttam Kumar and Sabitri Chatterjee as leads. This film was remade in the Hindi as 'Amar Prem' (1972), directed by Shakti Samanta.

The school of a remote and poor village shut down, the head master Krishna Prasanna (Chhabi) migrates to city in search of job. He moves with family, wife Labanya (Karuna), nubile daughter (Ranjana) and very young son. He takes residence with his wife's brother. He meets per chance one of his ex students, of whom he used to take free evening classes and many of whom got merit scholarship and became cream of society, a doctor, a judge, successful lawyer, manager of a big bank and so on. Can he cross the barrier and meet them? All have big bungalows and office with watchmen to stop. If he managed to meet them, will they recall his contribution and help their benefactor? If they do, what change he has to bring in himself? Can he?

Hashi Sudhu Hashi Noy

Indrani Mukherjee the only daughter of a staunch brahmin in a village studies at Kolkata and stays in a girls' hostel. She meets Sudarshan Dutta, who had a brilliant career as a student and is doing his PhD. They fall in love, and Indrani wants to get married with him as soon as possible. She goes back to her village and informs her father of her intention to get married, Indrani's father takes umbrage as Sudarshan is not a Brahmin and also unemployed. Sudarshan too warns Indrani that he won't be able to provide for her. Indrani marries Sudarshan and is tormented at Sudarshan's house by his mother and sisters in law because of several emotional strains at play. To avoid further complications at home, Indrani gets a job as a teacher in Dinajpur. One day, after a heated exchange between two people that started their journey fiercely loving and trusting one another, Sudarshan leaves Indrani and goes in search of a job elsewhere.

Bireswar Vivekananda is a 1964 Indian Bengali-language biographical film about the Indian Hindu religious leader, Swami Vivekananda.

Himangshu is a villageman who apart from practicing homeopathy helps the local people with their odds and ends. One day he gets a call from a rich man to escort his daughter Juthika to Patna. At first the rich and spoilt lady takes much disliking for the plain and simple young man but after having seen him from close quarters starts liking him. Soon her marriage is fixed to a bigshot. She confesses her feelings to Himangshu however he declines her love as he had a similar love failure in the past and did not want a broken heart again. He decides to leave the place and go away. Juthika breaks her engagement, leaves her family behind and chooses to come along with Himangshu, proving all his apprehensions wrong.

Ashoke and Mala get married under unavoidable circumstances, but his conservative father does not accept her as his daughter-in-law. When Mala finds no help coming from sheepish Ashoke, she vows to set things right herself.

Bollywood 1968

Manik is mentally and physically abused by the manager of the orphanage he lives in. However, when he runs away to Calcutta, he finds himself in deeper trouble in a far more dangerous world.