Neil Stacy

A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.

Armchair Theatre episode released under the Armchair Theatre Archive banner in 2019

The classic BBC dramatisation of Tolstoy's epic story of love and loss set against the backdrop of the Napoleonic Wars. Anthony Hopkins heads the cast as Pierre Bezuhov (a role for which he won the 1972 Best Actor BAFTA); Morag Hood is the impulsive and beautiful Natasha Rostova; Alan Dobie is the dour but heroic Andrei Bolkonsky; and David Swift is Napoleon, whose decision to invade Russia in 1812 has far-reaching consequences for Pierre and the Rostov and Bolkonsky families. The twenty-part serial was the vision of producer David Conroy whose principle aim was to transfer the rich characterisation and incident from Tolstoy's greatest novel to a television drama. Scripted by Jack Pulman and directed by John Davies, Conroy's War And Peace boasts superb acting, award-winning design (1972 Best Design BAFTA) and breathtaking battle sequences which were filmed in former Yugoslavia.

Barlow at Large is a British television programme broadcast in the 1970s, starring Stratford Johns in the title role. Johns had previously played Barlow in the Z-Cars, Softly, Softly and Softly, Softly: Taskforce series on BBC television during the 1960s and early 1970s. Barlow at Large began as a three-part self-contained spin-off from Softly, Softly: Taskforce in 1971 with Barlow co-opted by the home office to investigate police corruption in Wales. Johns left Softly, Softly for good in 1972, but returned for a further series of Barlow at Large in the following year, Barlow having gone on full-time secondment to the Home Office. This second series, rather than telling one story in serial form, as the 1971 series had, was instead ten 50-minute episodes, each with a self-contained story. In this series, Barlow was supported by Norman Comer as Detective Sergeant Rees, who had been helpful to him during the first series. He also had to deal with the political machinations of the senior civil servant Fenton. In 1974 the series was renamed Barlow and a further two series of eight episodes each followed, introducing the character of Detective Inspector Tucker, played by Derek Newark. The final episode was transmitted in February 1975. The Barlow character was seen again in the series Second Verdict in which he, along with his former colleague John Watt, looked into unsolved cases and unsafe convictions from history.

Duty Free is a British sitcom written by Eric Chappell and Jean Warr that aired on ITV from 1984 to 1986. It was made by Yorkshire Television.

The Avengers is a British television series created in the 1960s. It initially focused on Dr. David Keel and his assistant John Steed. Hendry left after the first series and Steed became the main character, partnered with a succession of assistants. His most famous assistants were intelligent, stylish and assertive women: Cathy Gale, Emma Peel and Tara King. Later episodes increasingly incorporated elements of science fiction and fantasy, parody and British eccentricity.

In the near future, a now-elderly Bernard Quatermass investigates the disappearance of his granddaughter and a mysterious cult.

A four-part drama adaptation about the life of polar explorer Sir Ernest Shackleton. Based on Shackleton’s own journals. In 1914 Ernest Shackleton chooses to lead a team on their famous journey aboard the Endurance. When the ship is trapped and crushed by pack-ice, Shackleton and five of his men embark on a desperate 800-mile journey from Elephant Island to South Georgia.

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

After barely surviving the trenches of World War I, an embittered young soldier takes a teaching post at Bamfylde, an elite boarding school in the uplands of West Devon. It is an unlikely job for a Welsh miner's son without a degree, but David Powlett-Jones (John Duttine) proves to be a rare schoolmaster, as passionate about learning as he is about teaching. Through two tumultuous decades, Powlett-Jones inspires his students with his courage and idealism, qualities that help prepare him to send another generation of young men off to fight yet another war.

From a Bird's Eye View is a 1970 ATV and ITC Entertainment co-produced sitcom. In the United States it aired on NBC, which had originally ordered the series as an entry in the 1969-70 TV season but pushed it back to the 1970-71 season as a mid-season replacement. The series followed two International Airlines stewardesses, a scatterbrained Briton and a savvy American, as they flew the London-European routes. The series ran for 16 25-minute colour episodes. The series was not a big success in either the UK or the US, but ITC re-used the format for the Shirley MacLaine series Shirley's World. That show also flopped, but ran to one more episode than From a Bird's Eye View.

The adventures of the eponymous Lovejoy, a likeable but roguish antiques dealer based in East Anglia. Within the trade, he has a reputation as a “divvie”, a person with an almost supernatural powers for recognising exceptional items as well as distinguishing genuine antique from clever fakes or forgeries.

Follow the swashbuckling exploits of Simon Templar, a modern-day Robin Hood of sorts.

The Upper Hand is a British television sitcom, produced by Central Independent Television and Columbia Pictures Television and broadcast by ITV from 1990 to 1996. The programme was adapted from the American sitcom Who's the Boss?. As in the former series, an affluent single woman, raising a son with the help of her mother, hires a housekeeper only to have a man apply for the job.

The Man in Room 17 is a British television series which ran for two seasons in the mid-1960s, produced by the Northern ITV franchise, Granada Television. Key to the series' success was the involvement of writer/producer Robin Chapman. The show was set in Room 17 of the Department of Social Research, where former wartime agent-turned-criminologist Edwin Oldenshaw solved difficult police cases through theory and discussions with his assistants. The novelty of the series was that Oldenshaw and his colleagues never needed to leave their office in order to resolve cases, preferring to spend their time playing the Japanese board game of Go. They simply provided their prognosis and left the police to do the cleaning up. Different directors were often appointed to film the Room 17 and outside-world scenes independently, to maintain a sense of distance between the two worlds.