Herman Wilkins

A man disappears on the same day he makes his fortune in this re-imagining of a true story, which is still unsolved. In this version of the disappearance of Ambrose Small, the setting has been changed from Toronto, 1919, to Chicago of the same year. Gorgeous cinematography in mostly black and white underscores the racial tensions of the time, while intentional anachronisms and Calgary-raised director Daniel Nearing’s postmodern vision give the film an otherworldly quality. While the investigation of Small’s case is a central device, Nearing’s real objective is to expose the characters of the time and stoke the flames of mystery.

A sensitive writer from a small town faces spiritual crisis as he tries to make it as a Hollywood screenwriter. Charlie Pontus (Joseph Culp) wanders around Los Angeles torn between his efforts to sell a screenplay and find his next meal. His natural optimism keeps him afloat as he walks the tight-rope between his love for the beautiful, exotic Ylayali (Kathleen Luong) and his desperate connection to The Chief (Robert Culp), the Hollywood producer who has the power to give life or take it away. Stubbornly refusing to relinquish his principles, he sinks deeper and deeper into spiritual crisis, finally confronting God in a Jobian showdown.

The seemingly random killings of an assassin puzzle her former lover, a wealthy Greek crime boss whose organization is jeopardized by his love for her, and the detective following her rising body count

Horror short.

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