Carol Barnes

Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.

The clock is ticking as contestants compete in games of lexical dexterity and numerical agility.

The Channel Four Daily was a breakfast television news magazine produced by Independent Television News, in collaboration with other independent production companies for Channel 4. The programme was the first breakfast programme for Channel 4, broadcasting between 06:00 and 09:25 each weekday morning. The first edition of the programme was broadcast on 3 April 1989, with the last edition being broadcast on 25 September 1992. Conceived as a television newspaper, output was based heavily on news and current affairs. Also, a number of bite-sized feature segments lasting between 5 and 10 minutes were slotted around the news output and were shown several times each day. These included a business programme, Business Daily - which had been on air as a lunchtime programme since October 1987 - sporting discussion, lifestyles, arts and entertainment, Countdown Masters - an abbreviated version of Countdown - and a cartoon slot called Comic Book. The Channel Four Daily failed to gain enough viewers and the last broadcast was shown on Friday, 25 September 1992. It was replaced with the relatively more popular programme, The Big Breakfast from Monday, 28 September 1992.

Frank Sandford has big hopes for his pop duo, Blue Heaven, but his home life is less than satisfactory. His father, Jim, is a local hard man whose favourite son is in prison, while his mother can only be described as the perfect match. Despite the lack of parental support he is determined that he should succeed as a pop star and that his favourite football team, West Bromwich Albion, will win the cup!

Have I Got Buzzcocks All Over

Never Mind the Buzzcocks is a comedy panel game show with a pop and rock music theme. The show is infamous for its dry, sarcastic humour and scathing, provocative attacks on the pop industry.