Robert Gist

Chicago, Illinois, USA

Biography

Robert Marion Gist (October 1, 1917 – May 21, 1998) was an American actor and film director. Gist was reared around the stockyards of Chicago, Illinois, during the Great Depression. Reform school-bound after injuring another boy in a fistfight, Gist instead ended up at Chicago's Hull House, a settlement house originally established by social worker Jane Addams. There he first became interested in acting. Work in Chicago radio was followed by stage acting roles in Chicago and on Broadway (in the long-running Harvey with Josephine Hull).[citation needed] While acting in Harvey, he made his motion picture debut in 20th Century-Fox's Christmas classic Miracle on 34th Street (1947). Gist was also seen on Broadway in director Charles Laughton's The Caine Mutiny Court Martial (1954) with Henry Fonda and John Hodiak. While shooting Operation Petticoat (1959), Gist told director Blake Edwards that he was interested in directing. Edwards later hired Gist to helm episodes of the TV series Peter Gunn. Gist also directed episodes of TV shows Naked City, The Twilight Zone, Route 66 and many others.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

More info
Matinee Theater
1955