Will H. Bray

Sincere but struggling sculptor Tommasso (Caruso--bushy moustache, gawky) works in an ornamental plaster shop, but his masterpiece on the side is a bust of his cousin Caroli (Caruso--no moustache, polished), who is the Metropolitan Opera's leading tenor. Tommasso hopes to marry his model Rosa, but her father, restaurant owner Pietro, wants her to find someone more settled and money-conscious, such as the greengrocer Lombardi down the street. Tommasso, he says, throws away his money, such as for a pair of tickets to take Rosa to the opera to see his famed cousin. After the opera, the cousins cross paths in the swanky Galeotto's restaurant, but when neither recognizes the other, Tommasso is generally mocked and Rosa believes him a liar and unworthy. Tommasso must recover his reputation and make a sale, preferably the Caroli bust to his cousin, in order to win Rosa back.

Lola Montrose ignores the scorn of society to live with Dr. John Hampton, the man she loves. After tiring of his mistress, Hampton tells Lola that he is planning to marry a "good woman" who will exert the proper influence over his son Irwin. Begging Hampton to marry her, Lola confesses that she too has a son, who is being reared in a religious institution for homeless children, but Hampton insists that he must not darken his son's future. Thirsting for revenge, Lola determines to marry Irwin. After inebriating the youth, Lola takes Irwin to the minister, who refuses to perform the ceremony. Too drunk to realize that there has been no wedding, Irwin takes Lola home and introduces her as his wife.