Hélio Barbosa

An astronomer is forced to leave the city where he lives in order to save his relationship. He ends up returning to the place he never intended to come back: The small town where he was born, stage of a great childhood trauma. Once there, he will discover the truth that will change his life forever.

Eu Não Sei Andar de Bicicleta

A group of people gather at a roadside hotel during a heavy storm. As hours pass, rumors spread in the lobby: a fugitive criminal was captured. Among local cops, it is difficult to know who is in the service of the law and who is looking for revenge. Santana, an ordinary man, responsible for the criminal's arrest, sees his life turn upside down as he tries to expiate his guilt for a lie in the past.

Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.

Renata lives isolated in the countryside with her teenage daughter and her husband, conceiving fear as a common feeling. The arrival of a stranger awakens in her the desire for all that was asleep.

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