Rika Mizuki

Pinku from 1966.

Pinku from 1965.

In this bizarre world of distorted human pleasures, we have come to accept the most heinous crimes against mankind as just another example of the degeneration of our species. Even the most jaded individual could not forgive the creators of the Love Robots. Love Robots are beautiful young girls, abducted right off the street who, through a procedure that rivals anything the Marquis de Sade might have dreamt of, are turned into monsters, capable of killing a man or loving him on command.

Pinku from 1967.

Pinku from 1967.

Pinku from 1967.

A young woman with an unrequited love for her step brother has their relationship upended when a despondent couple wanders into town.

A man leaves his family in Tokyo to travel and engage in various sexual escapades. When he returns home he finds out that his wife is starring in Imamura’s documentary about her search for her missing husband.

Otowa is a former Seto Inland Sea island farmer who has moved to the mainland in order to find work, but instead ends up dead. The film begins with the discovery of her corpse, which leads to an investigation that uncovers the narcotics, prostitution, and murder in which many poor farmers had found themselves trapped after World War II.

Pinku from 1966.

Inspired by the true story of a Geisha murdered in a city famous for its baths, Adachi forged here his favorite style, a kind of conceptual documentary recounting the incident in monotone. The same event that at the beginning of Violated Angels escaped every principle of causality, is portrayed here as a singular anti-spectacle.

A trio of high school students, Ichiro, Hiroshi, and Reiko, try to give a demonstration against the suspension , but they are ignored by the students and embark on an unreliable journey.

A high school girl yearns to have her first sexual encounter.

Horror pinku from 1967.