Peter Spraggon

Jimmy is a talented young boxer. Every punch he throws is eagerly watched by his trainer, and resented by his girlfriend. His parents, however, aren't particularly interested – until a large car and what appears to be a handsome contract arrive at the door.

Four mental patients - who, due to unauthorized experiments, believe they're living in a dream and have shed all moral imperatives - escape and find their way to the nearest bus-load of stranded schoolgirls.

An irreverent barrister chooses to defend a young Jamaican boy accused of stabbing on the same day his only son leaves for college in America.

Boysie discovers he has 'second sight' but neither his girlfriend Gloria nor his work-mate Brian will accept his 'gift'. He sets out on a spiritual voyage that leads to Adler, a 'sensitive', and finally to the devil himself.

A historical adaptation of John Gay's 18th Century ballad opera, exuberantly performed for BBC television.

A newly married young woman was suddenly killed. Who is the culprit on earth? Is it her husband, or her former lover, enemy, or rival? A pair of young people who love detectives are determined to uncover the truth about this matter. They conducted private interviews with informants and investigated the parties involved. After many twists and turns, they overcame the layers of obstacles deliberately set by someone, avoided the cold shots and arrows of the killer, and finally made the truth known to the world

A retired British soldier struggles to adjust to everyday life, with increasing difficulty.

Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.

The New Statesman is a British sitcom of the late 1980s and early 1990s satirising the Conservative government of the time.