Juris Gornavs

Ten years have passed since we made the film “Crossroad Street”, about a small street in the suburbs of the city of Riga. Now we’ve come back. Perhaps it was a sense of duty, perhaps nostalgia that brought us back – who knows? Perhaps it was both. Daiga, Aldis, Osis – they’re all our people. The first film had an impact on both the filmmakers and the residents of Crossroad Street. We found friends whom we want to meet again and again. Society has become more prosperous, several value systems coexist side-by-side. People often live in these systems as though they were in different worlds that never meet. We felt that the world inhabited by our people is sinking into oblivion, and so we wanted to show that it still has its own turbulence, that Crossroad Street resembles Latvia’s palm – the place where a fortune teller can see the lines of its destiny.

This is the 3rd film in almost 30 years about the daily lives of the people living in this small street of Pārdaugava. We first met them in the late 1980s when the Soviet Union was on the brink of collapse. We visited them again in the wild 1990s. And now we meet them in 2013, again in a whole different world.

A tale about a nine-year old boy's relationship with the world around him, shot in one of Latvia's poorest and most beautiful regions - Latgale

The movie shows a young man's life dramatically changed after his friend is murdered. It is ironic - if to look with today's eyes - and nostalgia evoking portrait of marginal society and environment in the early 1990s with allusions to the western cinema - film noir related themes, surrealistic features, avantgard cinema stylization and formal aesthetics.

Ziemmassvetku Jampadracis tells the story of the Cirulisi, a tight-knit family down on their luck, and their trials and tribulations during the Christmas season.

An ecranisation of an Anšlavs Eglītis's novel of the same title is an ironic story about the Latvian art scene during the 30ies.

The film’s protagonists Ieva and Apollon are former workers of a collective farm. Once they loved each other passionately. Yet it was in "another" life, the time of kolkholzs. The attempt to revive that love ends up in a tragedy. However the story goes on. The events around their burial are so intriguing that mass media raise them to the level of the United Nations.

An omnibus film consisting of ten parts, each directed by a different young director from the Latvian Academy of Culture. The unifying element of the ten shorts is the place where they take place - the airport. A lot can happen there - including a strike by a comet, a malicious attempt to break havoc by passengers, or an exploration of the old airport guard's house where not a lot has changed since the collapse of the Soviet Union. The film consists of the following parts: A Mishap (Nediena) by Arta Biseniece, Blurp (Šļurp) by Aija Bley, Alien Sky (Svešās debesis) by Viesturs Kairišs, 5 Versions (5 versijas) by Dzintars Krūmiņš, Comet (Komēta) by Māra Liniņa, Cleptomania (Kleptomānija) by Andis Mizišs, Alfredo's Poetry (Alfredo dzeja) by Igors Varenieks, Little Hand (Mazā roka) by Ilze Vidauska, Comet 2 (Komēta 2) by Anna Viduleja, and Life No. 2 (Dzīve nr.2) by Kristīne Želve.

Adam, a man from the capital, lands a job in a postal office of a quiet town. His boss, Anita, a small-town Marilyn Monroe, has two concerns - a lack of romantic partner, and a battle with a rival postal office nearby, as one of them will be closed. Adam becomes enchanted by a woman who works at a nearby cafe, while her colonel father is too shy to express his feelings towards Anita and writes anonymous love letters instead...