Marcia Haydée

Present day. Chile. Legendary bank robber Vergara Grey is getting out of prison after 5 long years and is looking forward to a quiet, uneventful life together with his wife and son whom oddly he hasn't heard from in years. But soon his resolve is tested when he meets 19 year old Angel a young thief who insists the two join up to score the biggest heist of all time. Though tempted, he resists until he finds out that his beloved wife has gone off with a millionaire and his son wants to change his last name. Then Victoria, a graceful and mysteriously mute dancer living in a conservatory, steps into the picture. She captivates Vergara and Angel, as well as all others that cross her path, drastically changing their lives.

Dedicated to Dieter Meier. voice-over by Gregory Markopoulos, reading an excerpt in English translation of Paul Valéry’s L’Homme et la nuit (Man and the Night).

"Lady of the Camellias" (Kameliendame) was premiered in Jan 1978 at the Stuttgart ballet. Choreographer and text writer was John Neumeier who had been requested in 1972 by ballerina Marcia Haydee to write a full length ballet. He suggested "Lady of the Camellias" , the Dumas fils autobiographical novel. The idea of using Chopin music was suggested by ballet conductor Gehart Markson. The ballet was a success and this version was also presented in 1979 at the Kennedy Center in Washington DC. Neumeier revised it for the Hamburg Ballet now directed by Brazilian ballerina Marcia Haydee after the death of famous director John Kranko. The revised version with sets and costumes by Jugen Rose and conducted by Heribert Beissel was recorded as a movie in 1987.

As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.

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