James N. Kienitz Wilkins

A young man disappears amid talk of violence and demagoguery, leaving behind an obscure cache of letters, postcards, and notebooks.

Special Features is an apparent interview with three highlights. Presented as a lo-fi fragment from a forgotten video production, an interviewee interacts with an interviewer, recounting a special experience at once unique and shared.

This Action Lies is a movie about the limits of observation, about staring very hard at something while listening to something else. It is a paranoid polyphonic apology of a simple act: offering three perspectives of an object that may not exist in a room that cannot exist, while at the mercy of a mistrustful monologue. In other words, a defense of cinema. This project expands ideas introduced in one of Kienitz Wilkins’ previous films, Indefinite Pitch (2016), and is similarly voice-driven, using an extended monologue to analyze a common and underappreciated commercial product, elevating it to the status of an almost Platonic form.

Composer and filmmaker Christian von Borries' new film Desert of the real visits these contemporary wastelands. In a rich collage of acted scenes and documentary footage, he extends the metaphor of the wasteland to today's medial reality. At the heart of so many holographic simulations and replicas, in a world custom-made for selfie and instagram tweets, he reveals emptiness and potential violence. (David Riff) The only way to trace the distinction between the semblance and the Real is, precisely, to STAGE it in a fake spectacle.

An ode to movie culture and its beguiling hold on our imagination, modeled on an actual legal deposition, and accompanied by a procession of 35mm publicity stills from studio press kits.