Simon Kumai

A young man travels around in a truck while turning an 8mm camera. In his hometown in Kansai, he meets a high school girl. The film tells the story of the moratorium of youth through the connection of seemingly unrelated episodes between the young man and the girl. A truck driving through the city, a teacher from high school, an exchange with the girl. The film is full of transparency, with a conscious interplay between black and white and colour, as if it were a mental picture of the young man himself. In the last scene, the girl turns the 8mm camera on herself, and her face, enveloped in light, is refreshing.

In the slums of Osaka, various marginalized misfits have their own interpretations of love. Completely alienated from the outside world, they commit sexual perversions, violence and cannibalism.

White and grey, a big screen with noises and voices: we hear a man suffering. The film follows the hardscrabble day-to-day exploits of a nameless hero as he is trying to survive amidst violent, desperate men and desolate landscapes. Later we will watch them all again building a metal construction out in the desert. So these men here will find an Asian guy, almost dead: “You have got a point!” The Promised Land? No, and it is someone else who will die in the end. Or will simply end up in hallucinations.

A Tokyo psychiatrist is hoping to better his career by marrying the daughter of a prominent doctor. The match is threatened however when an attractive but very troubled tourist guide comes to him for consultation...

Ryuzaki, an editor of Muscle Magazine, which features photographs of men with sculpted bodies, becomes involved with a man named Kitami; their affair soon becomes dominated by sadomasochistic games, with a horrid result. Jump ahead one year, Ryuzaki is released from jail and goes in search of Kitami, perhaps to make amends.

A teenage couple drive around improvising radio shows, following night stalkers and rapists or peeping on various sexual escapades, describing what they see in detail, feigning shock and screams as the attackers become more violent.