Sadao Maruyama

Part 1 of a 2-part romance based on a story by noted author Kikuchi Kan. The central character here is Toyomi (played by Takako IRIE, star of Mizoguchi’s "Water Magician), a rich young woman in love with Shintaro (Minoru TAKADA), a rich young man. Unfortunately, Shintaro’s father is in the process of arranging a marriage for him with Yurie (Chieko TAKEHISA), the scion of an even wealthier family. In order to avoid this, the two young lovers flee to Tokyo to live together. When Shintaro comes back to proclaim his intent to marry Toyomi, his father browbeats him into attending the long-arranged marriage meeting with Yurie. While Shintaro is back home, Toyomi goes on a vacation trip with her closest chum, Michiko (Yumeko AIZOME). At a class reunion, Toyomi is to distressed (at not having heard from Shintaro for so long), she doesn’t go out on the town with her classmates. Michiko, however, runs into Shintaro and Yurie (also out on the town), and pulling him aside, demands an explanation.

Part 2 of a 2-part romance (fist part - Kafuku zempen) based on a story by noted author Kikuchi Kan. In the second half, we discover that Toyomi is pregnant -- and while Shintaro and Yurie are on their extended honeymoon, she bears his child, a girl named Kiyoko. She is supported in adversity by Michiko -- and gets considerable moral support from not only her own mother but also from Shintaro's mother and siblings. Even more surprisingly, Yurie strikes up a friendship of sorts with her. When Yurie learns that the child is Shintaro's, she convinces Toyomi that it would be best to let Shintaro (and her) raise Kiyoko, so Toyomi can get on with making a proper life for herself. Tearfully, Toyomi agrees. Sometime later, Michiko goes to visit Toyomi -- and sees her at work, as a kindergarten teacher.

The study of a one-year marriage that begins to crumble. A married man is torn between the love of his wife, and the attraction to a cousin of his wife.

The main focus is on the 5 member band of a small circus as it runs into problems while touring rural Japan. It also pays lots of attention to the two daughters of the aging and irascible ringmaster-circus owner. The high points are the sound (and score) and cinematography featuring a lot of vertiginous panning (appropriate - as high wire trapeze artists are also an important element in the film). A fascinating side-light on 30s Japan.

1936 P.C.L. adaptation of Natsume's novel.

1935 P.C.L. adaptation of Natsume's novel.

Japanese Warmovie

This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.

Enoken plays both Kondo Isami and his deadly enemy Sakamoto Ryoma in this comedic, song-filled vision of the Meiji Restoration.

Japanese adaptation of LES MISERABLES. The last film of director Itami took inspiration from Les Miserables. Transpiring during the Southwestern War of 1877 in Japan, which was the last civil war in the country, a criminal escapes prison only to be found by a monk. The criminal decides to turn a new leaf based on their conversation and goes on to become a town's mayor. He hears news of a mistaken arrest and identity. The revelation of truth is the start of a series of miseries.

Based on the comic by Yutaka Asou

The film generally regarded as Japan’s first true musical was also the first film made entirely in-house by the pioneering studio P.C.L., a company founded specifically to take advantage of emergent sound technology. P.C.L. worked in collaboration with a brewer’s firm, Dai Nihon Biru, who met the production costs of the film in full, and whose products are featured in the film in an example of the sophisticated and modern merchandising typical of the studio’s early work. The film is partially set in a beer hall, and its story concerns a beer seller at a train station and her relationship with a music student trying to create a hit song. Director Sotoji Kimura was to become a company stalwart, making such films as Ino and Mon, while actress Sachiko Chiba would emerge the studio’s first real star, appearing in such films as Wife Be Like a Rose.

Ine Onoda, the eldest daughter of a poor family of farmers, raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.

Ino tries to control Mon’s every move, but she becomes a fallen woman, having an affair with a student, Obata whereas her sister San remains a “good girl.” The mother is very supportive of her daughters, but, the father, Akaza, who is the stonecutter foreman on the damn, lacks control of his family.

Adaptation of Fumiko Hayashi's novel.

A Japanese army engineer (Hasegawa) on the mainland must put his personal feelings for a beautiful Chinese woman (Ri) aside if he is to succeed at building a highway through the "bandit"- (aka anti-Japanese militia-) infested hinterlands.

This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.

The Opium War is a 1943 black-and-white Japanese film directed by Masahiro Makino. "Ahen senso" in Japan refers to the First Opium War. The story of the film concerns this war.

Mother's Melody

Part two of two.

Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.

In this semi-documentary, an older locomotive driver is tasked with training younger ones and is currently training two in particular. The old man is finding the task overwhelming as it is hard work with practical lessons and classroom components. His wife has died, but he has three daughters with the oldest taking care of her younger siblings.

Radio Queen

Song of the White Orchid was a co-production of Toho and Mantetsu, the railway that served the colonial region of Manchuria, and the first film in the Kazuo Hasegawa/Shirley Yamaguchi (Ri Koran) “Continental Trilogy.” Handsome Hasegawa (representing Japan) runs up against an impertinent Yamaguchi (representing the continent); not surprisingly, in the course of the film the woman comes around and realizes the benevolent intentions of the Japanese. In Song of the White Orchid Yamaguchi leaves Hasegawa, who plays an expatriate working for the railway, because of a misunderstanding. She joins a communist guerilla group plotting to blow up the Manchurian railway. Learning of the subterfuge that led to the misunderstanding, she renews her faith in Hasegawa—and by extension Japan—and tries to undermine the plot.

Japanese war movie

Hikoroku Laughs a lot

A Man's Flower Road of Triumph

Zoku Hebihimesama

Set in a rural area of Shinshu, a drama in which a woman who graduated from a women's college in Tokyo with her brother's efforts opens up a new life in her hometown where she is tired of the city. The original is a stage play by Yobun Kaneko. Directed and written by Mansaku Itami.

Kayo and Kuniko graduated from girls' school together and are as close as sisters. Kuniko's fiancé, Minakami, feels something that attracts him deeply towards Kayo. On the other hand, Kayo prays for the happiness of her best friend and marries a very ordinary man. However, at one point, this mediocre but increasingly ferocious husband died in an accident ... A triangular love story develops depicting a woman's heart that sways between love and morals. Based on a novel by Nobuko Yoshiya, there were originally two parts to the film (If Spring Comes & Fall Once Again), both supposed to be 85 minutes, but apparently what we have now is this 103-minute amalgam of the two.

Set in Qingdao, China, a Japanese company locates an office there and begins work and cooperation with a local Chinese company for business. Many Japanese engineers also move to China, with their families, for the company in order to construct a canal. There are young Chinese resisting the Japanese in this area.

9th directorial work by Yamamoto Satsuo.

Wakaki sugata

The film tells about the life of the former vassal of the Ako clan - Fuwa Katsuemon Masatane.

War-time jidaigeki by Eisuke Takizawa.

Romantic and Crazy

Part one of two.

Subterranean Heat

1945 Japanese movie