Barbara Rogers

A reporter is frustrated with women after a string of failed relationships. But then he finds himself taking up the cause of a young women he believes is falsely accused of killing her husband.

Jim is a compulsive gambler. He meets Marge at a boarding house and they get married. His gambling causes problems. When he runs into old flame Valerie Marge leaves him. After a few years he returns, but she is now in love with old flame Pres. Jim buys racing dog Dark Hazard and makes a fortune which he loses on roulette.

When two halves of a thousand-dollar bill are discovered in the snow, the penniless pair that individually grabs each half must come to terms. Actress Julia Wayne needs the whole $1,000, and so does sportsman Larry Stevens. Since compromise will serve neither of their needs, they are stalemated - until complications arise.

A department store clerk, wrongly accused of stealing by her lecherous boss, becomes involved in a romantic relationship with the boss's son.

A fledgling producer finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences.

Florence Denny is Tommy Nelson's girlfriend and secretary at a clothing manufacturer during the Great Depression. In order to boost sales they have been using professional female entertainers to keep their clients very happy, but the clients are getting bored of them. Tommy convinces management to replace the professionals with "volunteers" from the pool of stenographers. Inevitably some clients expectations are greater than their "dates", boyfriends become unhappy, and the "voluntary" duty becomes less so over time. At first, Tommy prevents Florence from being a volunteer, but eventually the prospect of a bonus becomes too great and he encourages her to volunteer. Afterwards, Tommy considers Florence a loose woman.

Extra-marital fun and games at a convention of the Honeywell Rubber Company in Atlantic City.

A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.