Julio Diamante

After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again (jsanchez, IMDb).

The foundation in Madrid of the Institute of Investigations and Cinematographic Experiences (IIEC) in 1947, has been the most important event in the history of Spanish cinema. From there would come directors such as Luis García Berlanga, Juan Antonio Bardem, Carlos Saura, Miguel Picazo, José Luis Borau, Mario Camus, Antonio Mercero and Víctor Erice. Through their first film practices, we will learn about the history of the school and an entire country.