Déborah Durand

An old man reads the diary of a young Jewish woman living at the time of the Nazi Occupation, sixty years ago. Sarah Rosemblum, 25, was young, beautiful and in love… with a German officer named Hans. Under a false name, Sarah lives under the protection of Huguette, a cabaret singer who makes a habit of hiding Jews and helping them to escape to England. In Huguette’s remote house, Sarah and Hans are able to pursue their romantic idyll, unaware that they are being spied on by Robert, a 16-year-old who is secretly in love with Sarah, and Huguette’s mother, who is still mourning her son’s death. With the world closing in on them, Sarah and Hans know that they must take flight, whilst they still have time…

Florence, a lawyer overwhelmed by her family life, decides to buy a humanoid robot with a perfect physique. The robot meets all her expectations: maintain the house, take care of the children, and more... By maliciously disrupting their daily routine, the robot also arouses the jealousy of her self-centered careless husband, Franck, a second-class actor who suddenly realizes he must make some efforts not to lose the love of his wife.

David, a young farmer from Cantal, has just had an idea: to save his farm from bankruptcy, he is going to set up a cabaret on the farm. The show will be on stage and on the plate, with good local products. He is sure, it can only work. His relatives, his mother and especially his grandfather, are more skeptical.

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.