Erik van der Horst

Nederlandse voetbalfilm

Alex, a 28 year-old photographer, is no longer able to photograph people, for some mysterious reason. Every time he focuses his camera on someone, the same woman appears in his viewfinder - an image he cannot bear. When his brother Aram, whom he has not seen or spoke to for years, unexpectedly phones him and asks him to come to their parental home because their mother is severely ill and may not have long to live, he panics. The thought of a confrontation with the area where he grew up and the renewed encounter with his family makes him feel nervous. Nevertheless, that evening he leaves for AmnesiA: the estate of his parents, the spot where he spent his youth.

Alex, a 28 year-old photographer, is no longer able to photograph people, for some mysterious reason. Every time he focuses his camera on someone, the same woman appears in his viewfinder - an image he cannot bear. When his brother Aram, whom he has not seen or spoke to for years, unexpectedly phones him and asks him to come to their parental home because their mother is severely ill and may not have long to live, he panics. The thought of a confrontation with the area where he grew up and the renewed encounter with his family makes him feel nervous. Nevertheless, that evening he leaves for AmnesiA: the estate of his parents, the spot where he spent his youth.

How reliable are memories? Liefje explores the boundary between reality and fantasy. In a therapeutic session, the 18-year-old Esther reconstructs the murder of her father that she committed with her boyfriend Erik. Flashbacks reveal the facts of the matter. The schoolgirl grows up between quarrelling parents, opposes her mother's uninhibited sexual education and despises her father Robert after he has fathered a twin with his new wife, who is much younger. She tells Erik about a vague memory of her father, allegedly abusing her sexually. Notwithstanding the difference between the gaps in Esther's memory and the facts, the outraged Erik offers her to be her avenger.

A woman answers the phone at night. She learns something terrible has happened to her boyfriend David in Phuket. Her world collapses. Stilte na de storm visualises that single brief moment between the nocturnal phone call and the confirmation of the dreaded message. In a stream of consciousness, emotions, memories and reality sweep through her like a storm, before she realises she has lost David. Only silence remains.

Fernando considers himself an alien who may die when someone looks him in the eye. An innocent expression like 'I saw you watching, you know' is lethal now. A metaphor for the vulnerability of a boy in relation to the girl he is in love with.

David Samuels is from an intellectual Jewish family from the posh Amsterdam Old South. He is also a man on a mission: to find a fabulous ghetto-queen with great tits and thick buttocks. His parents and friends declare him mad, but David continues unabated.

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

Smeris

Voor de show

A chronicle of legendary Dutch singer Ramses Shaffy’s rise to fame, from his early days as a stage actor in late 1950s Amsterdam to his emergence as a national music icon throughout the following two decades.