Franz Rogowski

Clemens works as a masseur, Lara as a cook, but their clientele is the same: the guests of a luxury hotel. As sparks begin to fly between the two, his sensitivity clashes with her more fiery temperament—opposites attract, but harmony is nowhere in sight.

A young Spanish woman who has newly moved to Berlin finds her flirtation with a local guy turn potentially deadly as their night out with his friends reveals a dangerous secret.

Berlin, the vibrant life. Only cashier Emma feels really lonely. There is nothing wrong with her, she just goes underground in the big city. Her desire to meet people has brought Emma to a strange idea: she lets go in the supermarket purses of customers and later presents herself as a hospitable finder, who invites you to pick up at the laid table. Unfortunately, the visit remains short. Only the shrewd homeless August who sees through her starts to get interested in Emma.

"Frontalwatte" is like running against a hard wall and falling down softly. Franz, Adrian and Anastasia stumble through a pointless world. They kill time by viewing apartments, jaw operations, incest and poetry slams. Their search for identity becomes a search for the best fitting role.

Having failed to get into the police force, Margarete takes up training as a security guard. One night she runs into a sexually agressive ex-colleague who insists on hailing a taxi to take her home to his place. Enter Tiger: short brown hair, a tough girl and a fighter, the cab driver. Realising that the situation is far from consensual, Tiger speeds off with Margarete, leaving her companion standing in the street. It won’t be the last time she rushes to Margarete’s aid. Tiger lives in an attic flat with two men. She knows how to wield a baseball bat. Stealing a uniform from security and renaming Margarete ‘Vanilla’, she begins to steer her life in a completely different direction.

A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.

Burned out and lonely Rocky is almost 50 years old and has seen better times as a womanizer. One day, Thorben shows up at his door claiming to be his son. He is trying to get advice on how to be successful with women.

The suffering of a beautiful woman changes a lonely outsiders life forever.

In an attempt to flee Nazi-occupied France, Georg assumes the identity of a dead author but soon finds himself stuck in Marseilles, where he falls in love with Maria, a young woman searching for her missing husband.

Christian, a reclusive young man from Leipzig, gets a job working the night shift at a big-box store. He's trained to stocks goods and operate a forklift by Bruno, a wistful former truck driver, who introduces Christian to a colorful group of overnight workers, including Marion, with whom Christian develops a troubled infatuation.

The shy late twenties Torsten tile lives with his mother in a bleak Berlin slab. In the guise of his alter ego "Lux - Warrior of Light" he tries to make the world a little bit better. He distributes food to the homeless and helps out on his forays through the city wherever he can. A film crew accompanies him to make a documentary about the social engagement of the self-appointed real-life superhero. Jan, the director, is still looking for a donor. The resourceful producer Brandt shows interest, but on condition that he sees something spectacular.

After a 13-year-old student disappears without a trace for a week and suddenly reappears, his mother and teachers are confronted with existential questions that change their whole view of life.

The Ballade of Tubbie, Tim, Jojo, Birdie and Marie, tells in seven chapters the story of five teenagers, who have found a substitute family in each other.

What's left for an actor who thinks he has done it all? Simon is convinced that he has played every possible character and no roles can challenge him anymore. He's grown bored of acting, but there is one thing that still gets him: The question of how to perfection the role of a dead person. Since no one has ever truly experienced that state and came back to tell the tale, it poses a difficult task. Simon's quest is to accomplish just that.

The Superhost follows Preston (Preston Chaunsumlit) and his roommate Sage (Colin Self) as they try to figure out rent, rapport and cold hard reality in downtown New York.

Austrian farmer Franz Jägerstätter faces the threat of execution for refusing to fight for the Nazis during World War II.

Four circus freaks with superpowers find themselves trapped in Nazi-occupied Rome after their owner and father figure goes missing in the aftermath of the 1943 surrender of Italy to the Allies.

Undine is a historian and tour guide at the Berlin City Museum specializing in urban development, while Christoph is an industrial diver. Linked by a love of the water, the two form an intense bond, which can only do so much to help Undine overcome the considerable baggage of her former affair.

A young woman is searching for her roots and discovers an idiosyncratic, radical sensuality that not only transgresses Mongolian conventions but also those of the supposedly more liberal West.

A son tries to save his mother's eyesight by drinking beer and playing darts.

In post-war Germany, liberation by the Allies does not mean freedom for everyone. Hans Hoffmann is repeatedly imprisoned under Paragraph 175, which criminalizes homosexuality. Nevertheless, over the decades, he continues his quest for freedom and love, even if he finds it in the most unusual places.

A man with the mental faculties of a child must save his mother, thereby becoming god and devil.

Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.

After a painful journey through Europe, Alex, the Belarusian, joins the Foreign Legion in France and clings to a confused hope of a European identity. Jomo, the Nigerian, fights for the survival and durability of his people in the Niger Delta and is ready to die to defend his ideas. These two young people who are sacrificed and smashed together will, against all odds, meet and their destinies will merge to continue across borders, bodies, life and death...

The problems of two unlucky beach bar operators starts when they find stolen loot that they really should have left alone.

The film opens on a set of lights, arranged on a table, that throw colored shapes across the wall of a darkened room. This is followed by a range of subjects, mostly shot with an unmoving camera: hermit crabs on a beach, strips of paper arranged on the bed of a scanning photocopier, bare feet moving among metal rods on roughly poured concrete, the city of Los Angeles at different times of day, someone playfully maneuvering a power washer, a disco ball casting confettilike reflections, bodies touching, a worker at a construction site, and light on the surface of water, abstracted by darkness. [Overview Courtesy of MoMA]

Lubo Moser is a jenisch, a gypsy. Mirana, who tried to oppose him, was killed. But how could this have happened? Why? Because Switzerland considers nomadism a social scourge, and, to eradicate it, it takes the children of the jenisch. Thus, without children, the Jenisch will be without a future. The mastermind is a state-run humanitarian institution, Pro Juventute, the arm the Street Children's Work: everything is perfectly legal and there is no opposition to the law. Lubo feels himself dying. And something about him really does die, on that night of wind and snow: it will be a new Lubo, tough and impenetrable, who will set up a project with unexpected implications to avenge his family and his people... and it will lead us to rethink the sense of justice, in the blurred boundaries between good and evil.

At the age of 12, Bailey lives with his brother Hunter and his father Bug, who raises them alone in a squat in northern Kent. Bug doesn't have much time to devote to them and Bailey, who is approaching puberty, is looking for attention and adventure elsewhere.

Making of Happy End

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Deutscher Filmpreis