Irene Stefânia

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

A Doce Mulher Amada

University student who works in a bank experiences a personal crisis: he is torn between his ambitions and the temptation to engage in the armed movement against the military dictatorship of the time, in Brazil. At the same time, his love life is also confusing: he is unable to choose between two girls: an apolitical rich one, whose main interest is her own sexual liberation; and a working girl with family problems.

O Donzelo

Two ladykillers living in Rio de Janeiro know no limits when courting a beautiful woman. A problem arises when one of them starts coming on to a girl, not knowing she's his buddy's daughter.

Father Simão Bacamarte arrives in the small town of Serafim to investigate a certain phenomenon of madness.

Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.

A Cama ao Alcance de Todos

An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive

In a small town in the State of Minas Gerais, Brazil, a woman rebels against local morality after her child dies, with tragic results.

Cleo e Daniel

In the underworld of "Boca do Lixo" in São Paulo, a heterogeneous group of prostitutes turns an alley into a meeting point where customers are attracted. They are women who sell themselves to men of all classes. Surrounded by drunks, addicts, bandits, drug dealers and pimps, together they form a gallery of characters put together by affliction and disappointment. Cora, an older woman who works to support her paralytic son. Beth, kind of a leader, who had to prostitute herself at an early age after leaving her small country town. Sônia, the most intelligent of the group, who lets herself be exploited by a ruffian. Brigite, daughter of factory workers. Vera, who just started in the profession. In addition to the drama of these women, there are many others who give themselves daily to customers who ignore their fate

O Mundo Alegre de Helô

Amor e Medo

A man who works as a driver for a cladestine revolutionary organization has an opportunity to make a big score.

Teca, a late-night radio show host, uses her astrological skills to help listeners who call in for advice. But her own life feels empty and lonely. One day she makes the acquaintance of her handsome new neighbour, Gil, only to find out he is married.

The lives of three teachers in the outskirts of São Paulo, their love lives, their interaction with the poor surroundings, their family problems.

Erotic comedy in five segments, starring the same actor, Chico Anysio: O Torneio (The Tournament), A Boca (The Mouth), O Filminho (The Short Film), A Suspeita (The Suspicion) and O Apartamento (The Apartment).

É Simonal