Indu Mukherjee

The simple-minded Rajat (Barua) loves neighbour Jayanti (Menaka Devi). He is advised on how to court her by his streetsmart cousin Bishwanath (Sanyal) and Bishwanath's friend Samir (Bannerjee). Bishwanath and Samir try to get Rajat's miserly guardian Bagalcharan (Choudhury) to loan them money so that Samir can make a 'European-style art film'. The guardian is admitted to the clinic of a doctor Gajanan where he falls into the clutches of two professional crooks Natoraj (Indu Mukherjee) and Supta (Molina Devi). Supta wants Rajat and they try to kidnap her...

Suren (P. Sanyal), prevented by his family from pursuing a university career, leaves home and becomes a tutor to Pramila (Zainab). He falls in love with her widowed elder sister Madhavi (Molina Devi) who, although returning his love, has him sacked to save the situation.

Melodrama about lineage and property questions. Nikhilesh (Barua) loves heiress Indira (Jamuna). A poor orphan girl, Radha (Menaka Devi), arrives claiming to be Indira's stepsister and therefore part inheritor of the family estate. Indira agrees to share her inheritance but then Radha makes a play for Nikhilesh. Ultimately, Radha turns out to be the real and sole heir. Love proves to be stronger than material possession as Indira and Nikhilesh get married and Radha finds happiness with Ratan, a man she had known and loved during her days of poverty. As each character returns to the class of his/her birth, the message hammered home is a warning to people never to transcend their social status.

A famous radio singer Mohan (Saigal) is in love with Geeta (Leela Desai). When he goes to his friend a doctor, TB Specialist, Bijoy (Bhanu) for a check-up, he is found to be in an advance stage of TB. Meanwhile Leela's dominant mother and aunt (Nibhanani and Manorama) had been against the poor Mohan and had set their eyes on same Dr. Bijoy, the son of a family friend. When Mohan comes to know of it, and also his sickness, he decides to walk away from them. He is intercepted by a doctor who ran a sanatorium for TB patients, with some new method of treatment. Geeta couldn't forget Mohan and waited, but in the end she had to relent. Then it was known that Mohan was alive and cured. What would now Bijoy and Geeta do? There wedding was the next day, and they have to go ahead with it, the honour of both the families were at stake. Mohan too aware of his being exposed, disappears from the sanatorium and is untraceable.

A famous Saigal musical narrating a strange love story set against 1930s industrialization and worker-management relations. The 16-year-old Prabhavati inherits a mill and turns it into an extremely profitable enterprise. Prakash is a worker who designs a more efficient machine for the factory for which he first gets sacked and then is re-employed. He falls in love with Prabhavati's sister Sheila, who later makes way for Prabhavati who is also in love with Prakash. Her withdrawal distresses Prakash, causing him to bully the workers who then go on strike.

This classic adultery story tells of an artist, Prasanta (Barua) presented in the stereotypically romantic image: dedicated to his vocation, paying no heed to his scandalous reputation (he paints nude models) and with a cavalier attitude to his conservative father-in-law's (Choudhury) demands for a good social behaviour.

Two young friends bond when they visit the village fair. They fall in love. What seems like a simple story soon turns into a conflict zone between families and when pride is hurt love is sure to suffer. Wapas is a tale of wronged love. Will the young lovers be able to bury their differences and find love again?

Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.

Sreegouranga

Maanbhanjan

Uttarayan

Mayer Pran

Subah Shyam